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Village with Church, all is sombre dark blues except for the crystalline excitement of the village and the warm bursts of colour in the nearer foliage.”

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Village with Church

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Village with Church Poster
Rolled • 12x17 inches

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Village with Church Poster
Framed • 12x17 inches

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Village with Church Art Print
Rolled • 10x12 inches

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Village with Church Art Print
Rolled • 15x18 inches

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Village with Church Art Print
Rolled • 19x24 inches

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Village with Church Art Print
Rolled • 24x30 inches

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Small Size

Village with Church Canvas Print
Rolled • 10x12 inches

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Small Size

Small Size

Village with Church Canvas Print
Wrapped • 10x12 inches

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Small Size

Small Size

Village with Church Canvas Framed Print
Framed • 10x12 inches

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Compact Size

Compact Size

Village with Church Canvas Print
Rolled • 15x18 inches

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Medium Size

Medium Size

Village with Church Canvas Print
Rolled • 19x24 inches

Buy now for

BEST SELLER
Large Size

Large Size

Village with Church Canvas Print
Rolled • 24x30 inches

Buy now for

Compact Size

Compact Size

Village with Church Canvas Print
Wrapped • 15x18 inches

Buy now for

Compact Size

Compact Size

Village with Church Canvas Framed Print
Framed • 15x18 inches

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Medium Size

Medium Size

Village with Church Canvas Print
Wrapped • 19x24 inches

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Medium Size

Medium Size

Village with Church Canvas Framed Print
Framed • 19x24 inches

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BEST SELLER
Large Size

Large Size

Village with Church Canvas Print
Wrapped • 24x30 inches

Not available

BEST SELLER
Large Size

Large Size

Village with Church Canvas Framed Print
Framed • 24x30 inches

Not available

Small Size

Small Size

Village with Church Framed Print
Framed with Mat • 10x12 inches

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Compact Size

Compact Size

Village with Church Framed Print
Framed with Mat • 15x18 inches

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Medium Size

Medium Size

Village with Church Framed Print
Framed with Mat • 19x24 inches

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Large Size

Large Size

Village with Church Framed Print
Framed with Mat • 24x30 inches

Not available

Large Size

Large Size

Village with Church Poster
Rolled • Life Size 24X33 inches

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Large Size

Large Size

Village with Church Poster
Framed • Life Size 24X33 inches

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Village with Church Large Canvas Print
Rolled • 29x36 inches

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XX-Large Size

XX-Large Size

Village with Church Large Canvas Print
Rolled • 36x45 inches

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X-Large Size

X-Large Size

Village with Church Large Canvas Print
Wrapped • 29x36 inches

Not available

X-Large Size

X-Large Size

Village with Church Large Framed Print
Framed With Mat • 29x36 inches

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XX-Large Size

XX-Large Size

Village with Church Large Canvas Print
Wrapped • 36x45 inches

Not available

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XX-Large Size

XX-Large Size

Village with Church Large Framed Print
Framed With Mat • 36x45 inches

Not available

Village with Church, all is sombre dark blues except for the crystalline excitement of the village and the warm bursts of colour in the nearer foliage.” Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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