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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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Beej Canvas Framed Print
Framed • 12x12 inches

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Rolled • 18x18 inches

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Rolled • 24x24 inches

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Beej Canvas Print
Wrapped • 18x18 inches

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Beej Canvas Framed Print
Framed • 18x18 inches

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Beej Canvas Print
Rolled • 30x30 inches

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Beej Canvas Print
Wrapped • 24x24 inches

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Beej Canvas Framed Print
Framed • 24x24 inches

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Beej Canvas Print
Wrapped • 30x30 inches

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Beej Canvas Framed Print
Framed • 30x30 inches

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Beej Framed Print
Framed with Mat • 12x12 inches

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Beej Framed Print
Framed with Mat • 18x18 inches

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Beej Framed Print
Framed with Mat • 24x24 inches

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Beej Framed Print
Framed with Mat • 30x30 inches

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Beej Poster
Rolled • Life Size 24X24 inches

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Rolled • 48x48 inches

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Wrapped • 36x36 inches

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Beej Large Framed Print
Framed With Mat • 36x36 inches

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Wrapped • 42x42 inches

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Beej Large Framed Print
Framed With Mat • 48x48 inches

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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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