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Sargent’s first formal double portrait depicts the children of playwright Édouard Pailleron and his wife, Marie. Young Édouard (1865–?) and Marie-Louise (1870–1951) are dressed traditionally in black and white, but exotic references are found in the Persian carpet and Marie-Louise’s torque bracelet and brooch. Marie-Louise, who later became a literary figure in her own right, recounted (perhaps with exaggeration) eighty-three sittings for the portrait, as well as battles about costume and the arrangement of her hair. Sargent captures the young girl’s disquieting intensity in an image that departs from conventional Victorian representations of children. Her brother, seated at an angle on the far side of the settee, seems a secondary presence.

Edouard And Marie Louise Pailleron - John Singer Sargent Painting

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Art Print
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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Art Print
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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Rolled • 18x16 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Framed Print
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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Wrapped • 12x10 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Rolled • 24x21 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Wrapped • 18x16 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Framed Print
Framed • 18x16 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Rolled • 30x26 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Wrapped • 24x21 inches

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Medium Size

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Framed Print
Framed • 24x21 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Print
Wrapped • 30x26 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Canvas Framed Print
Framed • 30x26 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Framed Print
Framed with Mat • 12x10 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Framed Print
Framed with Mat • 18x16 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Framed Print
Framed with Mat • 24x21 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Framed Print
Framed with Mat • 30x26 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Poster
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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Large Canvas Print
Rolled • 36x31 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Large Canvas Print
Wrapped • 36x31 inches

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Edouard And Marie Louise Pailleron - John Singer Sargent Painting Large Framed Print
Framed With Mat • 36x31 inches

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Sargent’s first formal double portrait depicts the children of playwright Édouard Pailleron and his wife, Marie. Young Édouard (1865–?) and Marie-Louise (1870–1951) are dressed traditionally in black and white, but exotic references are found in the Persian carpet and Marie-Louise’s torque bracelet and brooch. Marie-Louise, who later became a literary figure in her own right, recounted (perhaps with exaggeration) eighty-three sittings for the portrait, as well as battles about costume and the arrangement of her hair. Sargent captures the young girl’s disquieting intensity in an image that departs from conventional Victorian representations of children. Her brother, seated at an angle on the far side of the settee, seems a secondary presence.

John Singer Sargent was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. Sargent was born in Florence, Italy to American parents.   Sargent studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.Sargent studied with Carolus-Duran, whose influence would be pivotal, from 1874-1878. Carolus-Duran's atelier was progressive, dispensing with the traditional academic approach which required careful drawing and underpainting, in favor of the alla prima method of working directly on the canvas with a loaded brush, derived from Diego Velázquez. It was an approach which relied on the proper placement of tones of paint.

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