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Sargent usually presented the sketches he made of friends and fellow artists to them as gifts, as was the tradition in artistic circles. This sketch of Claude Monet (1840–1926) is an exception. It remained with Sargent all his life and was in his studio when he died, along with several works by Monet that Sargent collected. Monet is shown sitting at an easel painting a landscape outdoors. This portrait has assumed an importance in the history of Impressionism because it shows the French artist doing what he advocated, painting directly from nature. It certainly had a personal significance for Sargent, who greatly admired Monet, as it commemorates their artistic relationship.

Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Poster
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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Poster
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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Art Print
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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Art Print
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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Print
Rolled • 12x10 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Print
Rolled • 18x15 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Framed Print
Framed • 12x10 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Print
Wrapped • 12x10 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Print
Wrapped • 18x15 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Canvas Framed Print
Framed • 18x15 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Framed Print
Framed with Mat • 12x10 inches

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Claude Monet Painting by the Edge of a Wood - John Singer Sargent Painting Framed Print
Framed with Mat • 18x15 inches

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Sargent usually presented the sketches he made of friends and fellow artists to them as gifts, as was the tradition in artistic circles. This sketch of Claude Monet (1840–1926) is an exception. It remained with Sargent all his life and was in his studio when he died, along with several works by Monet that Sargent collected. Monet is shown sitting at an easel painting a landscape outdoors. This portrait has assumed an importance in the history of Impressionism because it shows the French artist doing what he advocated, painting directly from nature. It certainly had a personal significance for Sargent, who greatly admired Monet, as it commemorates their artistic relationship.

John Singer Sargent was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. Sargent was born in Florence, Italy to American parents.   Sargent studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.Sargent studied with Carolus-Duran, whose influence would be pivotal, from 1874-1878. Carolus-Duran's atelier was progressive, dispensing with the traditional academic approach which required careful drawing and underpainting, in favor of the alla prima method of working directly on the canvas with a loaded brush, derived from Diego Velázquez. It was an approach which relied on the proper placement of tones of paint.

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