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Post Impressionist styled landscape-Syed Haider Raza’s Italian Village, painted in 1953. The composition is governed by a strict schema, an internal logic of line and space as buildings congregate in a cubist crescendo. The flat cubic rigidity and power of contour transforms this Italian vista into something seemingly uninhabitable and intangible. One solitary building placed in an earthy terrain in the foreground creates a perspective and harmony bridging the complex arrangement of buildings that dominate the upper half of the canvas. The corniced houses and abstract angular architecture and pronounced pediments are pierced by the stretching steeples and elongated chimneys. Beneath the subtle and subdued palette echoes a monumentality and magnificence rendering this village both silent and spiritual. This painting reveals a yearning for experimentation which is tempered only by a virtuosic control and maturity that has never left his oeuvre


Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Italian Village

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Italian Village Poster
Rolled • 17x12 inches

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Small Size

Small Size

Italian Village Poster
Framed • 17x12 inches

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Small Size

Italian Village Art Print
Rolled • 12x10 inches

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Compact Size

Compact Size

Italian Village Art Print
Rolled • 18x15 inches

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Medium Size

Medium Size

Italian Village Art Print
Rolled • 24x20 inches

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Large Size

Large Size

Italian Village Art Print
Rolled • 30x25 inches

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Small Size

Small Size

Italian Village Canvas Print
Rolled • 12x10 inches

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Small Size

Small Size

Italian Village Canvas Print
Wrapped • 12x10 inches

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Small Size

Small Size

Italian Village Canvas Framed Print
Framed • 12x10 inches

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Compact Size

Compact Size

Italian Village Canvas Print
Rolled • 18x15 inches

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Medium Size

Medium Size

Italian Village Canvas Print
Rolled • 24x20 inches

Buy now for

Compact Size

Compact Size

Italian Village Canvas Print
Wrapped • 18x15 inches

Buy now for

Compact Size

Compact Size

Italian Village Canvas Framed Print
Framed • 18x15 inches

Buy now for

BEST SELLER
Large Size

Large Size

Italian Village Canvas Print
Rolled • 30x25 inches

Buy now for

Medium Size

Medium Size

Italian Village Canvas Print
Wrapped • 24x20 inches

Buy now for

Medium Size

Medium Size

Italian Village Canvas Framed Print
Framed • 24x20 inches

Buy now for

BEST SELLER
Large Size

Large Size

Italian Village Canvas Print
Wrapped • 30x25 inches

Not available

BEST SELLER
Large Size

Large Size

Italian Village Canvas Framed Print
Framed • 30x25 inches

Not available

Small Size

Small Size

Italian Village Framed Print
Framed with Mat • 12x10 inches

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Compact Size

Compact Size

Italian Village Framed Print
Framed with Mat • 18x15 inches

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Medium Size

Medium Size

Italian Village Framed Print
Framed with Mat • 24x20 inches

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Large Size

Large Size

Italian Village Framed Print
Framed with Mat • 30x25 inches

Not available

X-Large Size

X-Large Size

Italian Village Large Canvas Print
Rolled • 36x30 inches

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XX-Large Size

XX-Large Size

Italian Village Large Canvas Print
Rolled • 43x36 inches

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X-Large Size

X-Large Size

Italian Village Large Canvas Print
Wrapped • 36x30 inches

Not available

X-Large Size

X-Large Size

Italian Village Large Framed Print
Framed With Mat • 36x30 inches

Not available

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XX-Large Size

XX-Large Size

Italian Village Large Canvas Print
Wrapped • 43x36 inches

Not available

BEST SELLER
XX-Large Size

XX-Large Size

Italian Village Large Framed Print
Framed With Mat • 43x36 inches

Not available

Post Impressionist styled landscape-Syed Haider Raza’s Italian Village, painted in 1953. The composition is governed by a strict schema, an internal logic of line and space as buildings congregate in a cubist crescendo. The flat cubic rigidity and power of contour transforms this Italian vista into something seemingly uninhabitable and intangible. One solitary building placed in an earthy terrain in the foreground creates a perspective and harmony bridging the complex arrangement of buildings that dominate the upper half of the canvas. The corniced houses and abstract angular architecture and pronounced pediments are pierced by the stretching steeples and elongated chimneys. Beneath the subtle and subdued palette echoes a monumentality and magnificence rendering this village both silent and spiritual. This painting reveals a yearning for experimentation which is tempered only by a virtuosic control and maturity that has never left his oeuvre Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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