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1970 Raza did this painting in 1970 during his trips to India, especially to caves of Ajanta - Ellora, followed by those to Benaras, Gujarat and Rajasthan, made him realize his role and study Indian culture more closely.

 

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Untitled - Rajasthan

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Untitled - Rajasthan Art Print
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Untitled - Rajasthan Canvas Print
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Untitled - Rajasthan Canvas Framed Print
Framed • 10x12 inches

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Untitled - Rajasthan Canvas Print
Wrapped • 10x12 inches

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Untitled - Rajasthan Canvas Print
Rolled • 15x18 inches

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Medium Size

Medium Size

Untitled - Rajasthan Canvas Print
Rolled • 20x24 inches

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Compact Size

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Untitled - Rajasthan Canvas Print
Wrapped • 15x18 inches

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Compact Size

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Untitled - Rajasthan Canvas Framed Print
Framed • 15x18 inches

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Medium Size

Medium Size

Untitled - Rajasthan Canvas Print
Wrapped • 20x24 inches

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Medium Size

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Untitled - Rajasthan Canvas Framed Print
Framed • 20x24 inches

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Untitled - Rajasthan Framed Print
Framed with Mat • 10x12 inches

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Untitled - Rajasthan Framed Print
Framed with Mat • 15x18 inches

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Medium Size

Medium Size

Untitled - Rajasthan Framed Print
Framed with Mat • 20x24 inches

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1970 Raza did this painting in 1970 during his trips to India, especially to caves of Ajanta - Ellora, followed by those to Benaras, Gujarat and Rajasthan, made him realize his role and study Indian culture more closely.   Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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