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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery.

SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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Temple Canvas Print
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Temple Canvas Print
Rolled • 18x13 inches

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Wrapped • 12x9 inches

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Framed • 12x9 inches

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Temple Canvas Print
Rolled • 24x17 inches

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Temple Canvas Print
Wrapped • 18x13 inches

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Temple Canvas Framed Print
Framed • 18x13 inches

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Temple Canvas Print
Rolled • 30x21 inches

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Temple Canvas Print
Wrapped • 24x17 inches

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Temple Canvas Framed Print
Framed • 24x17 inches

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Temple Canvas Print
Wrapped • 30x21 inches

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Temple Canvas Framed Print
Framed • 30x21 inches

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Temple Framed Print
Framed with Mat • 12x9 inches

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Temple Framed Print
Framed with Mat • 18x13 inches

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Temple Framed Print
Framed with Mat • 24x17 inches

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Temple Framed Print
Framed with Mat • 30x21 inches

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Rolled • 36x25 inches

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Temple Large Canvas Print
Rolled • 52x36 inches

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Temple Large Canvas Print
Wrapped • 36x25 inches

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Temple Large Canvas Print
Rolled • 69x48 inches

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Temple Large Framed Print
Framed With Mat • 36x25 inches

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Temple Large Canvas Print
Wrapped • 52x36 inches

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Temple Large Framed Print
Framed With Mat • 52x36 inches

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Temple Large Canvas Print
Wrapped • 61x42 inches

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Temple Large Framed Print
Framed With Mat • 69x48 inches

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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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