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“S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Panch Tatva

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Panch Tatva Canvas Print
Rolled • 12x12 inches

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Panch Tatva Canvas Print
Rolled • 18x18 inches

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Panch Tatva Canvas Framed Print
Framed • 12x12 inches

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Panch Tatva Canvas Print
Wrapped • 12x12 inches

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Medium Size

Panch Tatva Canvas Print
Rolled • 24x24 inches

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Compact Size

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Panch Tatva Canvas Print
Wrapped • 18x18 inches

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Compact Size

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Panch Tatva Canvas Framed Print
Framed • 18x18 inches

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Large Size

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Panch Tatva Canvas Print
Rolled • 30x30 inches

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Medium Size

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Panch Tatva Canvas Print
Wrapped • 24x24 inches

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Medium Size

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Panch Tatva Canvas Framed Print
Framed • 24x24 inches

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Large Size

Large Size

Panch Tatva Canvas Print
Wrapped • 30x30 inches

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Large Size

Large Size

Panch Tatva Canvas Framed Print
Framed • 30x30 inches

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Panch Tatva Framed Print
Framed with Mat • 12x12 inches

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Panch Tatva Framed Print
Framed with Mat • 18x18 inches

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Medium Size

Medium Size

Panch Tatva Framed Print
Framed with Mat • 24x24 inches

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Large Size

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Panch Tatva Framed Print
Framed with Mat • 30x30 inches

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Panch Tatva Poster
Rolled • Life Size 24X24 inches

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Panch Tatva Poster
Framed • Life Size 24X24 inches

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Panch Tatva Large Canvas Print
Rolled • 36x36 inches

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Panch Tatva Large Canvas Print
Wrapped • 36x36 inches

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Panch Tatva Large Framed Print
Framed With Mat • 36x36 inches

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“S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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