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Raza’s work evolved from expressionistic landscapes to abstracts. His ouvre is a product of his classical French training at École des Beaux-Arts, Paris, and his exposure to post-war American abstract expressionism. His later work was replete with his love for Indian iconography, philosophy, music and poetry. |
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Bombay Street Scene III - S H Raza Canvas Framed Print
Framed •
18x15 inches
Bombay Street Scene III - S H Raza Framed Print
Framed With Mat •
12x10 inches
Bombay Street Scene III - S H Raza Framed Print
Framed With Mat •
18x15 inches
Raza’s work evolved from expressionistic landscapes to abstracts. His ouvre is a product of his classical French training at École des Beaux-Arts, Paris, and his exposure to post-war American abstract expressionism. His later work was replete with his love for Indian iconography, philosophy, music and poetry.
Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)
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