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The case in favor of recognizing The Tooth Puller as was first advanced by the scholar Mina Gregori in 1992, and discussed by John Gash in an article in Melita Historica in 1998. On the side of arguments for genuineness, almost every figure in the painting is based on figures in other, genuine, works by Caravaggio, and from such a variety of sources and cities that it is almost inconceivable that any Caravaggisti could have seen them all; the style is typical of Caravaggio's late style, specifically his Maltese stay in 1607/1608; and he had begun his career in Rome with broadly similar genre works. On the other hand, there is no other surviving example of a genre painting by Caravaggio after about 1600, and, of course, there is no mention of the painting – or of any late-period genre painting – in sources such as Giovanni Bellori, who otherwise seems to have been thorough in seeking out Caravaggio's works.

The Tooth Puller - Caravaggio

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The Tooth Puller - Caravaggio Poster
Rolled • - 17x12 inches

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The Tooth Puller - Caravaggio Poster
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The Tooth Puller - Caravaggio Art Print
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The Tooth Puller - Caravaggio Art Print
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The Tooth Puller - Caravaggio Art Print
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The Tooth Puller - Caravaggio Art Print
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The Tooth Puller - Caravaggio Canvas Print
Rolled • 12x6 inches

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The Tooth Puller - Caravaggio Canvas Print
Rolled • 18x9 inches

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The Tooth Puller - Caravaggio Canvas Print
Rolled • 24x13 inches

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The Tooth Puller - Caravaggio Canvas Print
Rolled • 30x16 inches

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The Tooth Puller - Caravaggio Canvas Print
Wrapped • 12x6 inches

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The Tooth Puller - Caravaggio Canvas Print
Wrapped • 18x9 inches

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The Tooth Puller - Caravaggio Canvas Print
Wrapped • 24x13 inches

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The Tooth Puller - Caravaggio Canvas Print
Wrapped • 30x16 inches

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The Tooth Puller - Caravaggio Canvas Framed Print
Framed • 12x6 inches

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The Tooth Puller - Caravaggio Canvas Framed Print
Framed • 18x9 inches

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The Tooth Puller - Caravaggio Canvas Framed Print
Framed • 24x13 inches

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The Tooth Puller - Caravaggio Canvas Framed Print
Framed • 30x16 inches

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The Tooth Puller - Caravaggio Framed Print
Framed With Mat • 12x6 inches

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The Tooth Puller - Caravaggio Framed Print
Framed With Mat • 18x9 inches

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The Tooth Puller - Caravaggio Framed Print
Framed With Mat • 24x13 inches

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The Tooth Puller - Caravaggio Framed Print
Framed With Mat • 30x16 inches

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The Tooth Puller - Caravaggio Poster
Rolled • 30x24 inches

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The Tooth Puller - Caravaggio Poster
Framed • 30x24 inches

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The Tooth Puller - Caravaggio Large Canvas Print
Rolled • 36x19 inches

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The Tooth Puller - Caravaggio Large Canvas Print
Wrapped • 36x19 inches

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The Tooth Puller - Caravaggio Large Framed Print
Framed With Mat • 36x19 inches

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The case in favor of recognizing The Tooth Puller as was first advanced by the scholar Mina Gregori in 1992, and discussed by John Gash in an article in Melita Historica in 1998. On the side of arguments for genuineness, almost every figure in the painting is based on figures in other, genuine, works by Caravaggio, and from such a variety of sources and cities that it is almost inconceivable that any Caravaggisti could have seen them all; the style is typical of Caravaggio's late style, specifically his Maltese stay in 1607/1608; and he had begun his career in Rome with broadly similar genre works. On the other hand, there is no other surviving example of a genre painting by Caravaggio after about 1600, and, of course, there is no mention of the painting – or of any late-period genre painting – in sources such as Giovanni Bellori, who otherwise seems to have been thorough in seeking out Caravaggio's works.

Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting.

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