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The Representation of the Virgin for its time, the allegory, at its core, is simple. The Virgin with the aid of her son, whom she holds, tramples on a serpent, the emblem of evil or original sin. Saint Anne, whom the painting is intended to honor, is a wrinkled old grandmother, witnessing the event. Flimsy halos crown the upright; the snake recoils in anti-halos. Both Mary and Jesus are barefoot; Jesus is a fully naked uncircumcised child. All else is mainly shadow, and the figures gain monumentality in the light.

Madonna and Child with St. Anne - Caravaggio

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Madonna and Child with St. Anne - Caravaggio Poster
Rolled • - 12x17 inches

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Madonna and Child with St. Anne - Caravaggio Poster
Framed • - 12x17 inches

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Small Size

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Madonna and Child with St. Anne - Caravaggio Art Print
Rolled • 9x12 inches

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Compact Size

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Madonna and Child with St. Anne - Caravaggio Art Print
Rolled • 13x18 inches

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Medium Size

Medium Size

Madonna and Child with St. Anne - Caravaggio Art Print
Rolled • 18x24 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Art Print
Rolled • 22x30 inches

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Small Size

Small Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Rolled • 9x12 inches

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Compact Size

Compact Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Rolled • 13x18 inches

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Medium Size

Medium Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Rolled • 18x24 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Rolled • 22x30 inches

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Small Size

Small Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Wrapped • 9x12 inches

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Compact Size

Compact Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Wrapped • 13x18 inches

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Medium Size

Medium Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Wrapped • 18x24 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Canvas Print
Wrapped • 22x30 inches

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Small Size

Small Size

Madonna and Child with St. Anne - Caravaggio Canvas Framed Print
Framed • 9x12 inches

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Compact Size

Compact Size

Madonna and Child with St. Anne - Caravaggio Canvas Framed Print
Framed • 13x18 inches

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Medium Size

Medium Size

Madonna and Child with St. Anne - Caravaggio Canvas Framed Print
Framed • 18x24 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Canvas Framed Print
Framed • 22x30 inches

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Small Size

Small Size

Madonna and Child with St. Anne - Caravaggio Framed Print
Framed With Mat • 9x12 inches

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Compact Size

Compact Size

Madonna and Child with St. Anne - Caravaggio Framed Print
Framed With Mat • 13x18 inches

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Medium Size

Medium Size

Madonna and Child with St. Anne - Caravaggio Framed Print
Framed With Mat • 18x24 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Framed Print
Framed With Mat • 22x30 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Poster
Rolled • 24x30 inches

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Large Size

Large Size

Madonna and Child with St. Anne - Caravaggio Poster
Framed • 24x30 inches

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X-Large Size

X-Large Size

Madonna and Child with St. Anne - Caravaggio Large Canvas Print
Rolled • 26x36 inches

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X-Large Size

X-Large Size

Madonna and Child with St. Anne - Caravaggio Large Canvas Print
Wrapped • 26x36 inches

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X-Large Size

X-Large Size

Madonna and Child with St. Anne - Caravaggio Large Framed Print
Framed With Mat • 26x36 inches

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The Representation of the Virgin for its time, the allegory, at its core, is simple. The Virgin with the aid of her son, whom she holds, tramples on a serpent, the emblem of evil or original sin. Saint Anne, whom the painting is intended to honor, is a wrinkled old grandmother, witnessing the event. Flimsy halos crown the upright; the snake recoils in anti-halos. Both Mary and Jesus are barefoot; Jesus is a fully naked uncircumcised child. All else is mainly shadow, and the figures gain monumentality in the light.

Caravaggio was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting.

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