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Gassed is a very large oil painting completed in March 1919 by John Singer Sargent. It depicts the aftermath of a mustard gas attack during the First World War, with a line of wounded soldiers walking towards a dressing station. Sargent was commissioned by the British War Memorials Committee to document the war and visited the Western Front in July 1918 spending time with the Guards Division near Arras, and then with the American Expeditionary Forces near Ypres. The painting was finished in March 1919 and voted picture of the year by the Royal Academy of Arts in 1919. It is now held by the Imperial War Museum. It visited the US in 1999 for a series of retrospective exhibitions, and then from 2016 to 2018 for exhibitions commemorating the centenary of the First World War.

Gassed- John Singer Sargent Painting

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Gassed- John Singer Sargent Painting Art Print
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Gassed- John Singer Sargent Painting Art Print
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Gassed- John Singer Sargent Painting Art Print
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Gassed- John Singer Sargent Painting Art Print
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Gassed- John Singer Sargent Painting Canvas Print
Rolled • 12x5 inches

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Gassed- John Singer Sargent Painting Canvas Print
Rolled • 18x7 inches

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Gassed- John Singer Sargent Painting Canvas Print
Rolled • 24x9 inches

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Gassed- John Singer Sargent Painting Canvas Framed Print
Framed • 12x5 inches

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Gassed- John Singer Sargent Painting Canvas Print
Wrapped • 12x5 inches

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Large Size

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Gassed- John Singer Sargent Painting Canvas Print
Rolled • 30x11 inches

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Gassed- John Singer Sargent Painting Canvas Print
Wrapped • 18x7 inches

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Compact Size

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Gassed- John Singer Sargent Painting Canvas Framed Print
Framed • 18x7 inches

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Medium Size

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Gassed- John Singer Sargent Painting Canvas Print
Wrapped • 24x9 inches

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Gassed- John Singer Sargent Painting Canvas Framed Print
Framed • 24x9 inches

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Gassed- John Singer Sargent Painting Canvas Print
Wrapped • 30x11 inches

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Gassed- John Singer Sargent Painting Canvas Framed Print
Framed • 30x11 inches

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Gassed- John Singer Sargent Painting Framed Print
Framed with Mat • 12x5 inches

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Gassed- John Singer Sargent Painting Framed Print
Framed with Mat • 18x7 inches

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Gassed- John Singer Sargent Painting Framed Print
Framed with Mat • 24x9 inches

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Gassed- John Singer Sargent Painting Framed Print
Framed with Mat • 30x11 inches

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Gassed- John Singer Sargent Painting Poster
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Gassed- John Singer Sargent Painting Poster
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Gassed- John Singer Sargent Painting Large Canvas Print
Rolled • 36x14 inches

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Gassed- John Singer Sargent Painting Large Canvas Print
Wrapped • 36x14 inches

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Gassed- John Singer Sargent Painting Large Framed Print
Framed With Mat • 36x14 inches

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Gassed- John Singer Sargent Painting Large Canvas Print
Rolled • 96x36 inches

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Gassed- John Singer Sargent Painting Large Canvas Print
Rolled • 128x48 inches

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Gassed- John Singer Sargent Painting Large Canvas Print
Wrapped • 96x36 inches

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Gassed- John Singer Sargent Painting Large Framed Print
Framed With Mat • 96x36 inches

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Gassed- John Singer Sargent Painting Large Canvas Print
Wrapped • 112x42 inches

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Gassed- John Singer Sargent Painting Large Framed Print
Framed With Mat • 128x48 inches

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Gassed is a very large oil painting completed in March 1919 by John Singer Sargent. It depicts the aftermath of a mustard gas attack during the First World War, with a line of wounded soldiers walking towards a dressing station. Sargent was commissioned by the British War Memorials Committee to document the war and visited the Western Front in July 1918 spending time with the Guards Division near Arras, and then with the American Expeditionary Forces near Ypres. The painting was finished in March 1919 and voted picture of the year by the Royal Academy of Arts in 1919. It is now held by the Imperial War Museum. It visited the US in 1999 for a series of retrospective exhibitions, and then from 2016 to 2018 for exhibitions commemorating the centenary of the First World War.

John Singer Sargent was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. Sargent was born in Florence, Italy to American parents.   Sargent studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.Sargent studied with Carolus-Duran, whose influence would be pivotal, from 1874-1878. Carolus-Duran's atelier was progressive, dispensing with the traditional academic approach which required careful drawing and underpainting, in favor of the alla prima method of working directly on the canvas with a loaded brush, derived from Diego Velázquez. It was an approach which relied on the proper placement of tones of paint.

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