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Egon Schiele - Sitzende Frau Mit Ausgestreckten Beinen (Seated Woman with Legs Drawn Up) (Adele Herms) - Framed Prints

949 Rs
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Egon Schiele Paintings

Egon Schiele (1890 – 1918) was an Austrian painter and a protégé of Gustav Klimt. Egon Schiele was the 'enfant terrible' of the Viennese avant-garde.

 

Schiele's Expressionist figurative works on themes like budding sexuality, death and decay scandalised early 20th-century Vienna. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.

 

The Leopold Museum, Vienna houses Schiele's most important and complete collection of work.

View Artist Collection
Framed with Mat

Available Options In Framed Prints

Small Framed Print


8x12 inches
Framed with Mat

Compact Framed Print


12x18 inches
Framed with Mat

Medium Framed Print


16x24 inches
Framed with Mat

Large Framed Print


20x30 inches
Framed with Mat
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About Egon Schiele Sitzende Frau Mit Ausgestreckten Beinen (Seated Woman with Legs Drawn Up) (Adele Herms)
"Sitzende Frau Mit Ausgestreckten Beinen (Seated Woman with Legs Drawn Up) (Adele Herms) " By Egon Schiele is his very famous painting. With his signature graphic style, embrace of figural distortion, and bold defiance of conventional norms of beauty, Egon Schiele was one of the leading figures of Austrian Expressionism. His portraits and self-portraits searing explorations of their sitters' psyches and sexuality are among the most remarkable of the twentieth century
About the Framed Prints
Egon Schiele - Sitzende Frau Mit Ausgestreckten Beinen (Seated Woman with Legs Drawn Up) (Adele Herms) by Egon Schiele. Bring your print to life with three different frame colors. Each framed print comes with equal sized mat that adds a depth perspective to the entire image and a protective glass covering. Our frame prints are assembled, packaged, and shipped by our expert framing staff and shipped within 3 days in "ready to hang" condition with pre-attached mounting points.

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