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Vincent van Gogh arrived in Paris from Antwerp early in the spring of 1886. His younger brother Theo had been living at the bottom of the hill of Montmartre, but, upon Vincent's arrival, rented a flat halfway up the hill to share with his brother. A famous dance hall, Le Moulin de la Galette, was near their flat. This work shows the landscape as seen from behind the dance hall, with windmills and the tricolour flags flying on them. This painting by van Gogh may seem subdued when compared with Renoir's lively, lavish painting of that same dance hall from about a decade earlier.

Windmills On Montmartre

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Windmills On Montmartre Poster
Rolled • 12x17 inches

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Windmills On Montmartre Poster
Framed • 12x17 inches

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Windmills On Montmartre Art Print
Rolled • 10x12 inches

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Windmills On Montmartre Art Print
Rolled • 15x18 inches

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Windmills On Montmartre Art Print
Rolled • 20x24 inches

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Windmills On Montmartre Art Print
Rolled • 24x30 inches

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Windmills On Montmartre Canvas Print
Rolled • 10x12 inches

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Windmills On Montmartre Canvas Print
Wrapped • 10x12 inches

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Compact Size

Compact Size

Windmills On Montmartre Canvas Print
Rolled • 15x18 inches

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Small Size

Small Size

Windmills On Montmartre Canvas Framed Print
Framed • 10x12 inches

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Medium Size

Medium Size

Windmills On Montmartre Canvas Print
Rolled • 20x24 inches

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Compact Size

Compact Size

Windmills On Montmartre Canvas Print
Wrapped • 15x18 inches

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Compact Size

Compact Size

Windmills On Montmartre Canvas Framed Print
Framed • 15x18 inches

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Large Size

Large Size

Windmills On Montmartre Canvas Print
Rolled • 24x30 inches

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Medium Size

Medium Size

Windmills On Montmartre Canvas Print
Wrapped • 20x24 inches

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Medium Size

Medium Size

Windmills On Montmartre Canvas Framed Print
Framed • 20x24 inches

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Large Size

Large Size

Windmills On Montmartre Canvas Print
Wrapped • 24x30 inches

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Large Size

Large Size

Windmills On Montmartre Canvas Framed Print
Framed • 24x30 inches

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Small Size

Small Size

Windmills On Montmartre Framed Print
Framed with Mat • 10x12 inches

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Compact Size

Compact Size

Windmills On Montmartre Framed Print
Framed with Mat • 15x18 inches

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Medium Size

Medium Size

Windmills On Montmartre Framed Print
Framed with Mat • 20x24 inches

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Large Size

Large Size

Windmills On Montmartre Framed Print
Framed with Mat • 24x30 inches

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Windmills On Montmartre Poster
Rolled • 24X33 inches

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Large Size

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Windmills On Montmartre Poster
Framed • 24X33 inches

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Windmills On Montmartre Large Canvas Print
Rolled • 29x36 inches

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Windmills On Montmartre Large Canvas Print
Rolled • 36x45 inches

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Windmills On Montmartre Large Canvas Print
Wrapped • 29x36 inches

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Windmills On Montmartre Large Canvas Print
Rolled • 48x60 inches

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Windmills On Montmartre Large Framed Print
Framed With Mat • 29x36 inches

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Windmills On Montmartre Large Canvas Print
Wrapped • 36x45 inches

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XX-Large Size

XX-Large Size

Windmills On Montmartre Large Framed Print
Framed With Mat • 36x45 inches

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Oversize

Windmills On Montmartre Large Canvas Print
Wrapped • 42x52 inches

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Oversize

Windmills On Montmartre Large Framed Print
Framed With Mat • 48x60 inches

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Vincent van Gogh arrived in Paris from Antwerp early in the spring of 1886. His younger brother Theo had been living at the bottom of the hill of Montmartre, but, upon Vincent's arrival, rented a flat halfway up the hill to share with his brother. A famous dance hall, Le Moulin de la Galette, was near their flat. This work shows the landscape as seen from behind the dance hall, with windmills and the tricolour flags flying on them. This painting by van Gogh may seem subdued when compared with Renoir's lively, lavish painting of that same dance hall from about a decade earlier.

Vincent van Gogh (1853-90) was a Dutch Post-Impressionist painter whose work had a far-reaching influence on 20th-century art. In just over a decade, he produced more than 2,100 artworks but received little recognition during his lifetime. Van Gogh was unsuccessful during his lifetime and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood and tortured genius artist.

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