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Munch made many versions of the motif we know as Vampire. He varied the colours and the technique, but the motif remained more-or-less unchanged after the first version painted in 1893.The motif has a simple and concentrated expression. A woman is sitting bent over a man who is lying with his head on her lap. Her long red hair hangs around him to accentuate the embrace and tie him to her. The shadow behind the couple gathers them in a pyramid-shaped composition so that they become one. The motif has had a number of titles. The first version was called Love and Pain when it was exhibited in Berlin in 1893. Many years later, in connection with the Frieze of Life exhibition in Kristiania in1918, Munch gave a new version of the motif the title Woman kissing Man on the Neck.

Vampire

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Vampire Poster
Rolled • 17x12 inches

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Vampire Poster
Framed • 17x12 inches

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Vampire Art Print
Rolled • 12x10 inches

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Vampire Art Print
Rolled • 18x15 inches

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Vampire Art Print
Rolled • 24x20 inches

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Vampire Art Print
Rolled • 30x25 inches

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Vampire Canvas Print
Rolled • 12x10 inches

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Vampire Canvas Print
Wrapped • 12x10 inches

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Vampire Canvas Framed Print
Framed • 12x10 inches

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Compact Size

Compact Size

Vampire Canvas Print
Rolled • 18x15 inches

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Medium Size

Medium Size

Vampire Canvas Print
Rolled • 24x20 inches

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Compact Size

Compact Size

Vampire Canvas Print
Wrapped • 18x15 inches

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Compact Size

Compact Size

Vampire Canvas Framed Print
Framed • 18x15 inches

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Large Size

Large Size

Vampire Canvas Print
Rolled • 30x25 inches

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Medium Size

Medium Size

Vampire Canvas Print
Wrapped • 24x20 inches

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Medium Size

Medium Size

Vampire Canvas Framed Print
Framed • 24x20 inches

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Large Size

Large Size

Vampire Canvas Print
Wrapped • 30x25 inches

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Large Size

Large Size

Vampire Canvas Framed Print
Framed • 30x25 inches

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Small Size

Small Size

Vampire Framed Print
Framed with Mat • 12x10 inches

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Compact Size

Compact Size

Vampire Framed Print
Framed with Mat • 18x15 inches

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Medium Size

Medium Size

Vampire Framed Print
Framed with Mat • 24x20 inches

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Large Size

Large Size

Vampire Framed Print
Framed with Mat • 30x25 inches

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Large Size

Large Size

Vampire Poster
Rolled • Life Size 26.9x22 inches

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Large Size

Large Size

Vampire Poster
Framed • Life Size 29.3x24 inches

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Vampire Large Canvas Print
Rolled • 36x30 inches

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XX-Large Size

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Vampire Large Canvas Print
Rolled • 44x36 inches

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Vampire Large Canvas Print
Wrapped • 36x30 inches

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Oversize

Oversize

Vampire Large Canvas Print
Rolled • 59x48 inches

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X-Large Size

X-Large Size

Vampire Large Framed Print
Framed With Mat • 36x30 inches

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XX-Large Size

XX-Large Size

Vampire Large Canvas Print
Wrapped • 44x36 inches

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XX-Large Size

XX-Large Size

Vampire Large Framed Print
Framed With Mat • 44x36 inches

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Oversize

Oversize

Vampire Large Canvas Print
Wrapped • 51x42 inches

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Oversize

Oversize

Vampire Large Framed Print
Framed With Mat • 59x48 inches

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Munch made many versions of the motif we know as Vampire. He varied the colours and the technique, but the motif remained more-or-less unchanged after the first version painted in 1893.The motif has a simple and concentrated expression. A woman is sitting bent over a man who is lying with his head on her lap. Her long red hair hangs around him to accentuate the embrace and tie him to her. The shadow behind the couple gathers them in a pyramid-shaped composition so that they become one. The motif has had a number of titles. The first version was called Love and Pain when it was exhibited in Berlin in 1893. Many years later, in connection with the Frieze of Life exhibition in Kristiania in1918, Munch gave a new version of the motif the title Woman kissing Man on the Neck.

Edvard Munch was a Norwegian painter and print-maker who played a great role in late 19th-century Symbolism and German expressionism in the 20th century, with his intensely evocative treatment of psychological themes displaying strong mental anguish in many of the pieces that he created.   The paintings he made focused on the internal view of the objects, as opposed to the exterior, and what the eye could see. Symbolism painters believed that art should reflect an emotion or idea rather than represent the natural world in the objective. His drawings, paintings, and prints bear the power to express, and perhaps alleviate, any viewer's own emotional or psychological condition.

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