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George Keyt didn’t start painting until he was 26, but he quickly went on to become an international giant of Modern art and arguably Sri Lanka’s most celebrated 20th Century artist. His unique visual idiom combines European Modernist innovations with the ancient South Asian fresco techniques found at Ajanta and Sigiriya. Desipite his clear admiration for cubist and fauvist principles, his subject matter was almost always rooted in local tradition, depicting dancers, shepherdesses and gods, often drawn from Hindu and Buddhist mythology.

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George Keyt didn’t start painting until he was 26, but he quickly went on to become an international giant of Modern art and arguably Sri Lanka’s most celebrated 20th Century artist. His unique visual idiom combines European Modernist innovations with the ancient South Asian fresco techniques found at Ajanta and Sigiriya. Desipite his clear admiration for cubist and fauvist principles, his subject matter was almost always rooted in local tradition, depicting dancers, shepherdesses and gods, often drawn from Hindu and Buddhist mythology.

George Keyt (1901 – 1993) is considered Sri Lanka's most distinguished modern painter. Keyt's dominant style is influenced by Cubism. He also claimed to be influenced by his contemporary Henri Matisse and the ancient Buddhist art and sculpture of Nagarjunakonda, Sanchi and Gandhara.


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