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"Untitled (1952–53)" is considered among the first of the true murals by Mark Rothko. Here, experienced at relatively close proximity as the artist intended, the extended format expands beyond the observer’s lateral field of vision, so that the painting seems to open itself up and transcend its limits.


Rothko used abstract means to express universal human emotions, earnestly striving to create an art of awe-inspiring intensity for a secular world. The principles of frontality and iconic imagery in his mature works are common to traditional altarpieces, and both formats have similar dimensions and proportions.

Untitled (1952–53)

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Untitled (1952–53) Art Print
Rolled • 12x8 inches

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Untitled (1952–53) Art Print
Rolled • 18x12 inches

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Untitled (1952–53) Art Print
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Untitled (1952–53) Art Print
Rolled • 30x21 inches

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Untitled (1952–53) Canvas Print
Rolled • 12x8 inches

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Compact Size

Compact Size

Untitled (1952–53) Canvas Print
Rolled • 18x12 inches

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Small Size

Small Size

Untitled (1952–53) Canvas Print
Wrapped • 12x8 inches

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Small Size

Small Size

Untitled (1952–53) Canvas Framed Print
Framed • 12x8 inches

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Medium Size

Medium Size

Untitled (1952–53) Canvas Print
Rolled • 24x16 inches

Buy now for

Compact Size

Compact Size

Untitled (1952–53) Canvas Print
Wrapped • 18x12 inches

Buy now for

Compact Size

Compact Size

Untitled (1952–53) Canvas Framed Print
Framed • 18x12 inches

Buy now for

BEST SELLER
Large Size

Large Size

Untitled (1952–53) Canvas Print
Rolled • 30x21 inches

Buy now for

Medium Size

Medium Size

Untitled (1952–53) Canvas Print
Wrapped • 24x16 inches

Buy now for

Medium Size

Medium Size

Untitled (1952–53) Canvas Framed Print
Framed • 24x16 inches

Buy now for

BEST SELLER
Large Size

Large Size

Untitled (1952–53) Canvas Print
Wrapped • 30x21 inches

Not available

BEST SELLER
Large Size

Large Size

Untitled (1952–53) Canvas Framed Print
Framed • 30x21 inches

Not available

Small Size

Small Size

Untitled (1952–53) Framed Print
Framed with Mat • 12x8 inches

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Compact Size

Compact Size

Untitled (1952–53) Framed Print
Framed with Mat • 18x12 inches

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Medium Size

Medium Size

Untitled (1952–53) Framed Print
Framed with Mat • 24x16 inches

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Large Size

Large Size

Untitled (1952–53) Framed Print
Framed with Mat • 30x21 inches

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X-Large Size

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Untitled (1952–53) Large Canvas Print
Rolled • 36x25 inches

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X-Large Size

X-Large Size

Untitled (1952–53) Large Canvas Print
Wrapped • 36x25 inches

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XX-Large Size

Untitled (1952–53) Large Canvas Print
Rolled • 53x36 inches

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X-Large Size

X-Large Size

Untitled (1952–53) Large Framed Print
Framed With Mat • 36x25 inches

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XX-Large Size

XX-Large Size

Untitled (1952–53) Large Canvas Print
Wrapped • 53x36 inches

Not available

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XX-Large Size

XX-Large Size

Untitled (1952–53) Large Framed Print
Framed With Mat • 53x36 inches

Not available

"Untitled (1952–53)" is considered among the first of the true murals by Mark Rothko. Here, experienced at relatively close proximity as the artist intended, the extended format expands beyond the observer’s lateral field of vision, so that the painting seems to open itself up and transcend its limits. Rothko used abstract means to express universal human emotions, earnestly striving to create an art of awe-inspiring intensity for a secular world. The principles of frontality and iconic imagery in his mature works are common to traditional altarpieces, and both formats have similar dimensions and proportions.

A prominent figure among the New York School painters, Mark Rothko moved through many artistic styles until reaching his signature 1950s motif of soft, rectangular forms floating on a stained field of color.   Although Rothko himself refused to adhere to any art movement, he is generally identified as an abstract expressionist. Heavily influenced by mythology and philosophy, he was insistent that his art was filled with content and brimming with ideas.

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