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Bernardo Strozzi received the epithet of 'the Genoese priest" when he fled to Venice in 1630. A member of the Capuchin monastery. While still in Genoa, Strozzi had studied the works of the Genoa-based painters Simon Vouet and Orazio Gentileschi, who were influenced by Caravaggio. In Venice, at the beginning of his late period, Strozzi was increasingly influenced by the works of Rubens, van Dyck and Veronese. John the Baptist explains his mission to the priests and Levites sent from Jerusalem (John 1:19–28), who eagerly ask him about his task. St. John is seen standing in front of a small group of listeners. He is characterised by the camel skin draped over his slender body and the band in his left hand, marking with the word "ecce" the beginning of the traditional reference to the Lamb of God.With his carefully chosen, close-up compositional detail, Strozzi reveals only part of the scene to the viewer. None of the figures depicted in front of a landscape is fully visible.

The Sermon Of St. John The Baptist

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The Sermon Of St. John The Baptist Poster
Rolled • 12x17 inches
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The Sermon Of St. John The Baptist Poster
Framed • 12x17 inches
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The Sermon Of St. John The Baptist Art Print
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The Sermon Of St. John The Baptist Art Print
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The Sermon Of St. John The Baptist Art Print
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The Sermon Of St. John The Baptist Canvas Print
Rolled • 11x12 inches
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The Sermon Of St. John The Baptist Canvas Print
Wrapped • 11x12 inches
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The Sermon Of St. John The Baptist Canvas Framed Print
Framed • 11x12 inches
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The Sermon Of St. John The Baptist Canvas Print
Rolled • 16x18 inches
Medium Size

Medium Size

The Sermon Of St. John The Baptist Canvas Print
Rolled • 21x24 inches
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Compact Size

The Sermon Of St. John The Baptist Canvas Print
Wrapped • 16x18 inches
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The Sermon Of St. John The Baptist Canvas Framed Print
Framed • 16x18 inches
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The Sermon Of St. John The Baptist Canvas Print
Rolled • 27x30 inches
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The Sermon Of St. John The Baptist Canvas Print
Wrapped • 21x24 inches
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The Sermon Of St. John The Baptist Canvas Framed Print
Framed • 21x24 inches
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The Sermon Of St. John The Baptist Canvas Print
Wrapped • 27x30 inches
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The Sermon Of St. John The Baptist Canvas Framed Print
Framed • 27x30 inches
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The Sermon Of St. John The Baptist Framed Print
Framed with Mat • 11x12 inches
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The Sermon Of St. John The Baptist Framed Print
Framed with Mat • 16x18 inches
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The Sermon Of St. John The Baptist Framed Print
Framed with Mat • 21x24 inches
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The Sermon Of St. John The Baptist Framed Print
Framed with Mat • 27x30 inches
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The Sermon Of St. John The Baptist Poster
Rolled • Life Size 22x24.9 inches
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The Sermon Of St. John The Baptist Poster
Framed • Life Size 24x27.2 inches
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The Sermon Of St. John The Baptist Large Canvas Print
Rolled • 32x36 inches
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The Sermon Of St. John The Baptist Large Canvas Print
Wrapped • 32x36 inches
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The Sermon Of St. John The Baptist Large Canvas Print
Rolled • 48x54 inches
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The Sermon Of St. John The Baptist Large Framed Print
Framed With Mat • 32x36 inches
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The Sermon Of St. John The Baptist Large Canvas Print
Wrapped • 42x47 inches
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The Sermon Of St. John The Baptist Large Framed Print
Framed With Mat • 48x54 inches

Bernardo Strozzi received the epithet of 'the Genoese priest" when he fled to Venice in 1630. A member of the Capuchin monastery. While still in Genoa, Strozzi had studied the works of the Genoa-based painters Simon Vouet and Orazio Gentileschi, who were influenced by Caravaggio. In Venice, at the beginning of his late period, Strozzi was increasingly influenced by the works of Rubens, van Dyck and Veronese. John the Baptist explains his mission to the priests and Levites sent from Jerusalem (John 1:19–28), who eagerly ask him about his task. St. John is seen standing in front of a small group of listeners. He is characterised by the camel skin draped over his slender body and the band in his left hand, marking with the word "ecce" the beginning of the traditional reference to the Lamb of God.With his carefully chosen, close-up compositional detail, Strozzi reveals only part of the scene to the viewer. None of the figures depicted in front of a landscape is fully visible.

Bernardo Strozzi was one of the most influential Italian painters of the early 1600s, especially in Genoa and Venice. He briefly studied with a painter and antiquarian before his mother sent him to work with a Sienese painter in Genoa. Although he became a Capuchin monk and entered the monastery at San Barnabà in Genoa in 1598, he continued to paint, producing primarily devotional works.

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