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By the time John Glover arrived in Tasmania in 1831, it was too late (it is thought) to see Aboriginal people living freely in the bush. However, from the moment of his settling in the colony, Glover was acutely interested in the Aboriginal people. Here, he presents an imagined scene of their idyllic and untroubled life before the European invasion — what Glover called 'the gay, happy life the natives led before the White people came here'. In its explicit use of mythology to comment on contemporary events, Glover's painting is unique in Australian colonial art.

The bath of Diana, Van Diemen's Land

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The bath of Diana, Van Diemen's Land Poster
Rolled • 17x12 inches

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The bath of Diana, Van Diemen's Land Poster
Framed • 17x12 inches

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The bath of Diana, Van Diemen's Land Art Print
Rolled • 12x8 inches

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The bath of Diana, Van Diemen's Land Art Print
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The bath of Diana, Van Diemen's Land Art Print
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The bath of Diana, Van Diemen's Land Art Print
Rolled • 30x20 inches

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The bath of Diana, Van Diemen's Land Canvas Print
Rolled • 12x8 inches

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The bath of Diana, Van Diemen's Land Canvas Print
Wrapped • 12x8 inches

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The bath of Diana, Van Diemen's Land Canvas Print
Rolled • 18x12 inches

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Small Size

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The bath of Diana, Van Diemen's Land Canvas Framed Print
Framed • 12x8 inches

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Medium Size

Medium Size

The bath of Diana, Van Diemen's Land Canvas Print
Rolled • 24x16 inches

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Compact Size

Compact Size

The bath of Diana, Van Diemen's Land Canvas Print
Wrapped • 18x12 inches

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Compact Size

Compact Size

The bath of Diana, Van Diemen's Land Canvas Framed Print
Framed • 18x12 inches

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Large Size

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The bath of Diana, Van Diemen's Land Canvas Print
Rolled • 30x20 inches

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Medium Size

Medium Size

The bath of Diana, Van Diemen's Land Canvas Print
Wrapped • 24x16 inches

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Medium Size

Medium Size

The bath of Diana, Van Diemen's Land Canvas Framed Print
Framed • 24x16 inches

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Large Size

Large Size

The bath of Diana, Van Diemen's Land Canvas Print
Wrapped • 30x20 inches

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Large Size

Large Size

The bath of Diana, Van Diemen's Land Canvas Framed Print
Framed • 30x20 inches

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The bath of Diana, Van Diemen's Land Framed Print
Framed with Mat • 12x8 inches

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Compact Size

The bath of Diana, Van Diemen's Land Framed Print
Framed with Mat • 18x12 inches

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Medium Size

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The bath of Diana, Van Diemen's Land Framed Print
Framed with Mat • 24x16 inches

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The bath of Diana, Van Diemen's Land Framed Print
Framed with Mat • 30x20 inches

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The bath of Diana, Van Diemen's Land Poster
Rolled • Life Size 33.3x22 inches

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The bath of Diana, Van Diemen's Land Poster
Framed • Life Size 36x23.8 inches

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The bath of Diana, Van Diemen's Land Large Canvas Print
Rolled • 36x24 inches

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The bath of Diana, Van Diemen's Land Large Canvas Print
Wrapped • 36x24 inches

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The bath of Diana, Van Diemen's Land Large Canvas Print
Rolled • 55x36 inches

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The bath of Diana, Van Diemen's Land Large Framed Print
Framed With Mat • 36x24 inches

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The bath of Diana, Van Diemen's Land Large Canvas Print
Rolled • 73x48 inches

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The bath of Diana, Van Diemen's Land Large Canvas Print
Wrapped • 55x36 inches

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XX-Large Size

XX-Large Size

The bath of Diana, Van Diemen's Land Large Framed Print
Framed With Mat • 55x36 inches

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Oversize

Oversize

The bath of Diana, Van Diemen's Land Large Canvas Print
Wrapped • 64x42 inches

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Oversize

Oversize

The bath of Diana, Van Diemen's Land Large Framed Print
Framed With Mat • 73x48 inches

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By the time John Glover arrived in Tasmania in 1831, it was too late (it is thought) to see Aboriginal people living freely in the bush. However, from the moment of his settling in the colony, Glover was acutely interested in the Aboriginal people. Here, he presents an imagined scene of their idyllic and untroubled life before the European invasion — what Glover called 'the gay, happy life the natives led before the White people came here'. In its explicit use of mythology to comment on contemporary events, Glover's painting is unique in Australian colonial art.

John Glover was an English-born Australian artist during the early colonial period of Australian art. In Australia he has been dubbed "the father of Australian landscape painting".

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