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In Summertime, 1943, Hopper documents the economic upswing caused by the war, the mood of anticipation that was beginning to affect the nation, and the new relaxed morals of youth in this country. Summertime presents a young girl in a see-through dress standing outside a tenement. The outfit, obviously new, refers to the increased prosperity of the nation, which at last had been able to put aside many of the difficulties of the Depression.

Summertime - Edward Hopper

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Summertime - Edward Hopper Poster
Rolled • 17x12 inches
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Summertime - Edward Hopper Poster
Framed • 17x12 inches
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Summertime - Edward Hopper Art Print
Rolled • 12x9 inches
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Summertime - Edward Hopper Art Print
Rolled • 18x13 inches
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Summertime - Edward Hopper Art Print
Rolled • 24x18 inches
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Summertime - Edward Hopper Canvas Print
Rolled • 12x9 inches
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Summertime - Edward Hopper Canvas Print
Rolled • 18x13 inches
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Summertime - Edward Hopper Canvas Print
Wrapped • 12x9 inches
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Summertime - Edward Hopper Canvas Framed Print
Framed • 12x9 inches
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Medium Size

Medium Size

Summertime - Edward Hopper Canvas Print
Rolled • 24x18 inches
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Summertime - Edward Hopper Canvas Print
Wrapped • 18x13 inches
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Summertime - Edward Hopper Canvas Framed Print
Framed • 18x13 inches
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Medium Size

Medium Size

Summertime - Edward Hopper Canvas Print
Wrapped • 24x18 inches
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Medium Size

Medium Size

Summertime - Edward Hopper Canvas Framed Print
Framed • 24x18 inches
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Summertime - Edward Hopper Framed Print
Framed with Mat • 12x9 inches
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Summertime - Edward Hopper Framed Print
Framed with Mat • 18x13 inches
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Medium Size

Summertime - Edward Hopper Framed Print
Framed with Mat • 24x18 inches
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Summertime - Edward Hopper Poster
Rolled • Life Size 24X33 inches
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Large        Size

Large Size

Summertime - Edward Hopper Poster
Framed • Life Size 24X33 inches
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Large Size

Summertime - Edward Hopper

In Summertime, 1943, Hopper documents the economic upswing caused by the war, the mood of anticipation that was beginning to affect the nation, and the new relaxed morals of youth in this country. Summertime presents a young girl in a see-through dress standing outside a tenement. The outfit, obviously new, refers to the increased prosperity of the nation, which at last had been able to put aside many of the difficulties of the Depression.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.

 

No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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