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Constable's powerful and original conception of what he termed 'natural painture', or the 'pure and unaffected representation' of nature (outlined in a letter of 29 May 1802 to his friend John Dunthorne), first came to the attention of the artist's contemporaries in six great canvases depicting the Stour Valley in the Suffolk countryside, which were exhibited at London's Royal Academy between 1819 and 1825. Working on a scale usually reserved for history painting, Constable endowed his images of everyday agricultural Britain with a new dignity and authority.

Study of A boat passing a lock

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Study of A boat passing a lock Canvas Print
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Study of A boat passing a lock Canvas Print
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Study of A boat passing a lock Canvas Print
Rolled • 18x15 inches

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Study of A boat passing a lock Canvas Framed Print
Framed • 12x10 inches

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Study of A boat passing a lock Canvas Print
Rolled • 24x19 inches

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Compact Size

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Study of A boat passing a lock Canvas Print
Wrapped • 18x15 inches

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Study of A boat passing a lock Canvas Framed Print
Framed • 18x15 inches

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Study of A boat passing a lock Canvas Print
Rolled • 30x24 inches

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Study of A boat passing a lock Canvas Print
Wrapped • 24x19 inches

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Study of A boat passing a lock Canvas Framed Print
Framed • 24x19 inches

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Large Size

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Study of A boat passing a lock Canvas Print
Wrapped • 30x24 inches

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Large Size

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Study of A boat passing a lock Canvas Framed Print
Framed • 30x24 inches

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Study of A boat passing a lock Framed Print
Framed with Mat • 12x10 inches

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Study of A boat passing a lock Framed Print
Framed with Mat • 18x15 inches

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Medium Size

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Study of A boat passing a lock Framed Print
Framed with Mat • 24x19 inches

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Study of A boat passing a lock Framed Print
Framed with Mat • 30x24 inches

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Study of A boat passing a lock Poster
Rolled • Life Size 27.6x22 inches

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Study of A boat passing a lock Poster
Framed • Life Size 30.1x24 inches

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Study of A boat passing a lock Large Canvas Print
Rolled • 36x29 inches

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Study of A boat passing a lock Large Canvas Print
Rolled • 45x36 inches

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Study of A boat passing a lock Large Canvas Print
Wrapped • 36x29 inches

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Study of A boat passing a lock Large Canvas Print
Rolled • 60x48 inches

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Study of A boat passing a lock Large Framed Print
Framed With Mat • 36x29 inches

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Study of A boat passing a lock Large Canvas Print
Wrapped • 45x36 inches

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Study of A boat passing a lock Large Framed Print
Framed With Mat • 45x36 inches

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Study of A boat passing a lock Large Canvas Print
Wrapped • 53x42 inches

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Oversize

Study of A boat passing a lock Large Framed Print
Framed With Mat • 60x48 inches

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Constable's powerful and original conception of what he termed 'natural painture', or the 'pure and unaffected representation' of nature (outlined in a letter of 29 May 1802 to his friend John Dunthorne), first came to the attention of the artist's contemporaries in six great canvases depicting the Stour Valley in the Suffolk countryside, which were exhibited at London's Royal Academy between 1819 and 1825. Working on a scale usually reserved for history painting, Constable endowed his images of everyday agricultural Britain with a new dignity and authority.

John Constable, RA was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home—now known as "Constable Country"—which he invested with an intensity of affection


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