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SH Raza has formed his own text for modernism creating a large repertoire of symbols, colour tonalities, extended spaces and a unique vocabulary by incorporating international sensibilities. Images from nature and specifically the forests of Madhya Pradesh retained a prominent place in his mind long after he left India in 1950.


Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Rang Vriksha

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Rang Vriksha Poster
Rolled • 12x17 inches

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Rang Vriksha Poster
Framed • 12x17 inches

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Rang Vriksha Art Print
Rolled • 6x12 inches

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Rang Vriksha Art Print
Rolled • 9x18 inches

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Rang Vriksha Art Print
Rolled • 12x24 inches

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Rang Vriksha Canvas Print
Rolled • 6x12 inches

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Rang Vriksha Canvas Print
Rolled • 9x18 inches

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Medium Size

Medium Size

Rang Vriksha Canvas Print
Rolled • 12x24 inches

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Rang Vriksha Canvas Framed Print
Framed • 6x12 inches

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Rang Vriksha Canvas Print
Wrapped • 6x12 inches

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Compact Size

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Rang Vriksha Canvas Print
Wrapped • 9x18 inches

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Compact Size

Compact Size

Rang Vriksha Canvas Framed Print
Framed • 9x18 inches

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Medium Size

Medium Size

Rang Vriksha Canvas Print
Wrapped • 12x24 inches

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Medium Size

Medium Size

Rang Vriksha Canvas Framed Print
Framed • 12x24 inches

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Small Size

Small Size

Rang Vriksha Framed Print
Framed with Mat • 6x12 inches

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Rang Vriksha Framed Print
Framed with Mat • 9x18 inches

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Medium Size

Medium Size

Rang Vriksha Framed Print
Framed with Mat • 12x24 inches

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SH Raza has formed his own text for modernism creating a large repertoire of symbols, colour tonalities, extended spaces and a unique vocabulary by incorporating international sensibilities. Images from nature and specifically the forests of Madhya Pradesh retained a prominent place in his mind long after he left India in 1950. Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)


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