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In his youth, Cezanne loved the carnival, which led to all kinds of festivities in his home town of Aix-en-Provence. The youngsters would enthusiastically take part in all the masquerades, pageants and processions. Perhaps it was in remembrance of those happy days that Cezanne asked his son to pose for him dressed as Harlequin and proudly leading an imaginary procession, while Louis Guillaume, in Pierrot's costume, follows in his footsteps and looks as if he is about to steal Harlequin's baton. According to Paul, this scene was painted in Paris in the studio in the rue du Val-de-Grace, which Cezanne occupied from late 1888. Before beginning this particular work, Cezanne had produced many drawings inspired by the commedia dell'arte and three separate paintings of Harlequin. Style: Post-Impressionism Technique: oil Material: canvas Gallery: Pushkin Museum of Fine Art, Moscow, Russia

Pierrot and Harlequin

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Pierrot and Harlequin Poster
Rolled • 12x17 inches
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Small        Size

Small Size

Pierrot and Harlequin Poster
Framed • 12x17 inches
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Pierrot and Harlequin Art Print
Rolled • 10x12 inches
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Compact Size

Pierrot and Harlequin Art Print
Rolled • 15x18 inches
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Medium Size

Pierrot and Harlequin Art Print
Rolled • 19x24 inches
Large Size

Large Size

Pierrot and Harlequin Art Print
Rolled • 24x30 inches
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Small Size

Pierrot and Harlequin Canvas Print
Rolled • 10x12 inches
Small Size

Small Size

Pierrot and Harlequin Canvas Print
Wrapped • 10x12 inches
Compact Size

Compact Size

Pierrot and Harlequin Canvas Print
Rolled • 15x18 inches
Small Size

Small Size

Pierrot and Harlequin Canvas Framed Print
Framed • 10x12 inches
Medium Size

Medium Size

Pierrot and Harlequin Canvas Print
Rolled • 19x24 inches
Compact Size

Compact Size

Pierrot and Harlequin Canvas Print
Wrapped • 15x18 inches
Compact Size

Compact Size

Pierrot and Harlequin Canvas Framed Print
Framed • 15x18 inches
BEST SELLER
Large Size

Large Size

Pierrot and Harlequin Canvas Print
Rolled • 24x30 inches
Medium Size

Medium Size

Pierrot and Harlequin Canvas Print
Wrapped • 19x24 inches
Medium Size

Medium Size

Pierrot and Harlequin Canvas Framed Print
Framed • 19x24 inches
BEST SELLER
Large Size

Large Size

Pierrot and Harlequin Canvas Print
Wrapped • 24x30 inches
BEST SELLER
Large Size

Large Size

Pierrot and Harlequin Canvas Framed Print
Framed • 24x30 inches
Small Size

Small Size

Pierrot and Harlequin Framed Print
Framed with Mat • 10x12 inches
Compact Size

Compact Size

Pierrot and Harlequin Framed Print
Framed with Mat • 15x18 inches
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Medium Size

Medium Size

Pierrot and Harlequin Framed Print
Framed with Mat • 19x24 inches
Large Size

Large Size

Pierrot and Harlequin Framed Print
Framed with Mat • 24x30 inches
Large        Size

Large Size

Pierrot and Harlequin Poster
Rolled • Life Size 22x27.6 inches
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Large        Size

Large Size

Pierrot and Harlequin Poster
Framed • Life Size 24x30.1 inches

In his youth, Cezanne loved the carnival, which led to all kinds of festivities in his home town of Aix-en-Provence. The youngsters would enthusiastically take part in all the masquerades, pageants and processions. Perhaps it was in remembrance of those happy days that Cezanne asked his son to pose for him dressed as Harlequin and proudly leading an imaginary procession, while Louis Guillaume, in Pierrot's costume, follows in his footsteps and looks as if he is about to steal Harlequin's baton. According to Paul, this scene was painted in Paris in the studio in the rue du Val-de-Grace, which Cezanne occupied from late 1888. Before beginning this particular work, Cezanne had produced many drawings inspired by the commedia dell'arte and three separate paintings of Harlequin. Style: Post-Impressionism Technique: oil Material: canvas Gallery: Pushkin Museum of Fine Art, Moscow, Russia

Paul Cézanne (1839 - 1906) was a French artist and Post-Impressionist whose work laid the foundations of the transition from 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.

Cézanne often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of color and small brushstrokes that built up to form complex fields.

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