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Maqbool Fida Husain (17 September 1915 – 9 June 2011)[2] was a modern Indian painter of international acclaim and a founding member of Bombay Progressive Artists' Group. Husain is associated with Indian modernism in the 1940s. His early association with the Bombay Progressive Artists' Group used the modern technique and was inspired by the "new" India after The Partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and somber. His themes—sometimes treated in series—include topics as diverse as Mohandas K. Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British Raj, and motifs of Indian urban and rural life.

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Maqbool Fida Husain (17 September 1915 – 9 June 2011)[2] was a modern Indian painter of international acclaim and a founding member of Bombay Progressive Artists' Group. Husain is associated with Indian modernism in the 1940s. His early association with the Bombay Progressive Artists' Group used the modern technique and was inspired by the "new" India after The Partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and somber. His themes—sometimes treated in series—include topics as diverse as Mohandas K. Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British Raj, and motifs of Indian urban and rural life.

Maqbool Fida Husain (1915 - 2011) was a modern Indian painter of international acclaim, and a founding member of The Progressive Artists Group of Bombay (PAG). M F Husain was associated with Indian modernism in the 1940s.    Husain began his career by painting billboards for feature films. Hussain's —sometimes treated in series—include topics as diverse as Gandhi, Mother Teresa, Ramayana, Mahabharata, British Raj, Bollywood, horses and motifs of Indian urban and rural life.   M. F. Husain’s name has become almost synonymous with modern Indian art, for no single artist has popularised Indian art. M F Husain was a special invitee along with Pablo Picasso at the Sao Paulo Biennial (Brazil) in 1971.


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