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Bistro is one of several titles given to a 1909 painting by the American artist Edward Hopper (1882–1967). It is also sometimes known as Le Bistro or The Wine Shop, even though these last two terms are not exact synonyms.

 

The work is in the Realist style which was very popular in the early years of the 20th century, and for which Hopper was particularly known. At first glance, the painting seems to show an almost completely rural scene, with trees bending in the wind and an elegant arched bridge crossing a small river.

 

The only apparent concession to the modern world is the line of houses just visible to the left of the wide, empty boulevard. However, a second look draws the eye to the pair of figures seated at the table in the bottom left-hand corner and reveals that this is in fact Paris.

The Wine Shop (Le Bistro) - Edward Hopper

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The Wine Shop (Le Bistro) - Edward Hopper Art Print
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The Wine Shop (Le Bistro) - Edward Hopper Art Print
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The Wine Shop (Le Bistro) - Edward Hopper Art Print
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The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Rolled • 12x10 inches

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The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Rolled • 18x15 inches

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The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Wrapped • 12x10 inches

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The Wine Shop (Le Bistro) - Edward Hopper Canvas Framed Print
Framed • 12x10 inches

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Medium Size

Medium Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Rolled • 24x20 inches

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Compact Size

Compact Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Wrapped • 18x15 inches

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Compact Size

Compact Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Framed Print
Framed • 18x15 inches

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Large Size

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The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Rolled • 30x25 inches

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Medium Size

Medium Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Wrapped • 24x20 inches

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Medium Size

Medium Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Framed Print
Framed • 24x20 inches

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Large Size

Large Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Print
Wrapped • 30x25 inches

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Large Size

Large Size

The Wine Shop (Le Bistro) - Edward Hopper Canvas Framed Print
Framed • 30x25 inches

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The Wine Shop (Le Bistro) - Edward Hopper Framed Print
Framed with Mat • 12x10 inches

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The Wine Shop (Le Bistro) - Edward Hopper Framed Print
Framed with Mat • 18x15 inches

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Medium Size

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The Wine Shop (Le Bistro) - Edward Hopper Framed Print
Framed with Mat • 24x20 inches

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The Wine Shop (Le Bistro) - Edward Hopper Framed Print
Framed with Mat • 30x25 inches

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The Wine Shop (Le Bistro) - Edward Hopper Poster
Rolled • Life Size 24X33 inches

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The Wine Shop (Le Bistro) - Edward Hopper Poster
Framed • Life Size 24X33 inches

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Bistro is one of several titles given to a 1909 painting by the American artist Edward Hopper (1882–1967). It is also sometimes known as Le Bistro or The Wine Shop, even though these last two terms are not exact synonyms.   The work is in the Realist style which was very popular in the early years of the 20th century, and for which Hopper was particularly known. At first glance, the painting seems to show an almost completely rural scene, with trees bending in the wind and an elegant arched bridge crossing a small river.   The only apparent concession to the modern world is the line of houses just visible to the left of the wide, empty boulevard. However, a second look draws the eye to the pair of figures seated at the table in the bottom left-hand corner and reveals that this is in fact Paris.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.


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