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Harvest II - Hussein Bicar - Framed Prints

1,150 Rs
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Hussein Bicar

Hussein Amin Bicar (1913-2002) was one of Egypt's most prominent artists of the 20th century. Hussain is credited for initiating a style of journalistic art that elevated illustrating for news papers to a level close to that of the fine art. Bikar’s portraits and oil paintings depicting graceful Egyptian peasants, Nubian scenes, his native Alexandria and Egyptian Pharaonic themes.

 

 

Bicar was a major figure in the art of scene of Cairo for more than 50 years. As a musician, poet, painter, teacher, illustrator, reporter and storywriter, Bicar has given and continues to give great pleasure to millions of people. View Artist Collection
Framed with Mat

Available Options In Framed Prints

Small Framed Print


7x12 inches
Framed with Mat

Compact Framed Print


10x18 inches
Framed with Mat

Medium Framed Print


13x24 inches
Framed with Mat

Large Framed Print


16x30 inches
Framed with Mat
Not available for shipping
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About Harvest II Hussein Bicar
Harvest II by Hussein Bicar. Hussein Amin Bicar was one of Egypt's most prominent artists of the 20th century, after graduating from the Cairo higher school of fine arts in 1934, he spent more than 60 years of his life teaching art at schools and universities. Bicar was able to study with the best portrait artist in Egypt at that time, Ahmed Sabri, who became his mentor and lifelong friend.He recognized Bicar to be “gifted as a portrait artist”. To express his confidence, Cluezel asked the young student to draw his portrait—one of the first of many that Bicar produced over the years.
About the Framed Prints
Harvest II - Hussein Bicar by Hussein Bicar. Bring your print to life with three different frame colors. Each framed print comes with equal sized mat that adds a depth perspective to the entire image and a protective glass covering. Our frame prints are assembled, packaged, and shipped by our expert framing staff and shipped within 3 days in "ready to hang" condition with pre-attached mounting points.

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