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In his later paintings, Edward Hopper sought to express the experience of seeing and perceiving the world by treating light in such a way that it almost becomes a material object. His emphasis on light, the dissolution of material objects, and his ability to visualize an internal reality received its ultimate expression in Sun in an Empty Room, one of his last pictures.

Edward Hopper- Sunlight In An Empty Room

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Edward Hopper- Sunlight In An Empty Room Poster
Rolled • 17x12 inches
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Edward Hopper- Sunlight In An Empty Room Poster
Framed • 17x12 inches
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Edward Hopper- Sunlight In An Empty Room Art Print
Rolled • 12x9 inches
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Edward Hopper- Sunlight In An Empty Room Canvas Print
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Edward Hopper- Sunlight In An Empty Room Canvas Print
Wrapped • 12x9 inches
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Edward Hopper- Sunlight In An Empty Room Canvas Framed Print
Framed • 12x9 inches
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Edward Hopper- Sunlight In An Empty Room Framed Print
Framed with Mat • 12x9 inches
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Edward Hopper- Sunlight In An Empty Room
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Edward Hopper- Sunlight In An Empty Room

In his later paintings, Edward Hopper sought to express the experience of seeing and perceiving the world by treating light in such a way that it almost becomes a material object. His emphasis on light, the dissolution of material objects, and his ability to visualize an internal reality received its ultimate expression in Sun in an Empty Room, one of his last pictures.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.

 

No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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