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Dempsey and Firpo, one of George Bellows’s most ambitious paintings, captures a pivotal moment in the September 14, 1923 prize-fight between American heavyweight champion Jack Dempsey and his Argentine rival Luis Angel Firpo. The frenzy lasted less than four minutes, Firpo going to the floor nine times and Dempsey twice. Although Dempsey was the eventual victor, the artist chose to represent the dramatic moment when Firpo knocked his opponent out of the ring with a tremendous blow to the jaw. At the match on assignment for the New York Evening Journal, Bellows portrays himself as a balding man at the extreme left of the picture. His geometrically structured composition also creates a low vantage point that includes the viewer: looking up at this angle, we find ourselves among the spectators pushing Dempsey back into the ring. The excitement is further heightened by the chromatic contrast between the fighters bathed in lurid light, and the dark, smoke-filled atmosphere around them.

Dempsey And Firpo

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Dempsey And Firpo Canvas Framed Print
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Dempsey And Firpo Canvas Print
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Dempsey And Firpo Canvas Print
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Dempsey And Firpo Canvas Print
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Large Size

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Dempsey And Firpo Canvas Print
Rolled • 30x25 inches

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Dempsey And Firpo Canvas Print
Wrapped • 18x15 inches

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Compact Size

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Dempsey And Firpo Canvas Framed Print
Framed • 18x15 inches

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Medium Size

Medium Size

Dempsey And Firpo Canvas Print
Wrapped • 24x20 inches

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Medium Size

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Dempsey And Firpo Canvas Framed Print
Framed • 24x20 inches

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Dempsey And Firpo Canvas Print
Wrapped • 30x25 inches

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Dempsey And Firpo Canvas Framed Print
Framed • 30x25 inches

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Dempsey And Firpo Framed Print
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Dempsey And Firpo Framed Print
Framed with Mat • 18x15 inches

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Dempsey And Firpo Framed Print
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Dempsey And Firpo Framed Print
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Dempsey And Firpo Poster
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Dempsey and Firpo, one of George Bellows’s most ambitious paintings, captures a pivotal moment in the September 14, 1923 prize-fight between American heavyweight champion Jack Dempsey and his Argentine rival Luis Angel Firpo. The frenzy lasted less than four minutes, Firpo going to the floor nine times and Dempsey twice. Although Dempsey was the eventual victor, the artist chose to represent the dramatic moment when Firpo knocked his opponent out of the ring with a tremendous blow to the jaw. At the match on assignment for the New York Evening Journal, Bellows portrays himself as a balding man at the extreme left of the picture. His geometrically structured composition also creates a low vantage point that includes the viewer: looking up at this angle, we find ourselves among the spectators pushing Dempsey back into the ring. The excitement is further heightened by the chromatic contrast between the fighters bathed in lurid light, and the dark, smoke-filled atmosphere around them.

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