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Jamini Roy was one of the earliest and most significant modernists of Indian art. With a masterly control of the brush, he created contours with fluid, calligraphic lines. During this phase, Roy painted stark, graphic versions of images from everyday life, including seated women, mother and child figures, bauls, leaping deer, and crawling infants.

Deer - Jamini Roy - Bengal Art Painting

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Deer - Jamini Roy - Bengal Art Painting Poster
Rolled • 17x12 inches
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Deer - Jamini Roy - Bengal Art Painting Poster
Framed • 17x12 inches
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Deer - Jamini Roy - Bengal Art Painting Art Print
Rolled • 12x11 inches
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Deer - Jamini Roy - Bengal Art Painting Art Print
Rolled • 18x16 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Print
Rolled • 12x11 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Print
Rolled • 18x16 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Framed Print
Framed • 12x11 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Print
Wrapped • 12x11 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Print
Wrapped • 18x16 inches
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Deer - Jamini Roy - Bengal Art Painting Canvas Framed Print
Framed • 18x16 inches
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Deer - Jamini Roy - Bengal Art Painting Framed Print
Framed with Mat • 12x11 inches
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Deer - Jamini Roy - Bengal Art Painting Framed Print
Framed with Mat • 18x16 inches
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Deer - Jamini Roy - Bengal Art Painting
Compact Size

Compact Size

Deer - Jamini Roy - Bengal Art Painting

Jamini Roy was one of the earliest and most significant modernists of Indian art. With a masterly control of the brush, he created contours with fluid, calligraphic lines. During this phase, Roy painted stark, graphic versions of images from everyday life, including seated women, mother and child figures, bauls, leaping deer, and crawling infants.

Shri Jamini Roy is an Indian painter, honored with the State award of Padma Bhushan in 1955. Roy's rejection of the then modern style of painting and his foray into the realm of Bengali folk paintings marked a new beginning in the history of Indian modern art.

 

He captured the qualities that are a part of the native folk painting and recombined them with those of his own. He fused the minimal brush strokes of the Kalighat style with elements of tribal art from Bengal.

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