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Compartment C Car 193 - Framed Prints

1,150 Rs
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Edward Hopper Paintings

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.

 

No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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Framed with Mat

Available Options In Framed Prints

Small Framed Print


10x12 inches
Framed with Mat

Compact Framed Print


15x18 inches
Framed with Mat

Medium Framed Print


20x24 inches
Framed with Mat

Large Framed Print


25x30 inches
Framed with Mat
Not available for shipping
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About Compartment C Car 193
“Compartment C Car 193” by the famous painter Edward Hopper is one of his best and most popular as well as one of his largest paintings. Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. But his vision of reality was a selective one, reflecting his own temperament in the empty cityscapes, landscapes, and isolated figures he chose to paint. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.
About the Framed Prints
Compartment C Car 193 by Edward Hopper. Bring your print to life with three different frame colors. Each framed print comes with equal sized mat that adds a depth perspective to the entire image and a protective glass covering. Our frame prints are assembled, packaged, and shipped by our expert framing staff and shipped within 3 days in "ready to hang" condition with pre-attached mounting points.

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