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The young Murillo first made his name with small genre scenes from the life of simple urban folk and homeless children, painted at a time when a plague was raging in his native Seville. His works are always full of a natural realism, free of ideological content. By the end of the 1640s, after he had traveled to Madrid and become acquainted with the painting of Velázquez and Venetian artists, his use of chiaroscuro grew finer and his compositions acquired a more stylised and sentimental character.

Boy With A Dog - Bartolome Esteban Murilo

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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Canvas Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Framed Print
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Boy With A Dog - Bartolome Esteban Murilo Poster
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Boy With A Dog - Bartolome Esteban Murilo Large Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Large Canvas Print
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Boy With A Dog - Bartolome Esteban Murilo Large Framed Print
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The young Murillo first made his name with small genre scenes from the life of simple urban folk and homeless children, painted at a time when a plague was raging in his native Seville. His works are always full of a natural realism, free of ideological content. By the end of the 1640s, after he had traveled to Madrid and become acquainted with the painting of Velázquez and Venetian artists, his use of chiaroscuro grew finer and his compositions acquired a more stylised and sentimental character.

Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times.

 

Murillo was best known for painting historical and religious scenes, portraits and still lifes in oil and fresco during the golden ear of Spanish art. He brought life to a wide range of subjects, from the grandeur of his ‘Immaculate Conception’ to the casual grace of ‘Two Women at a Window’.

 

Murillo cultivated his own style of painting, incorporating Flemish and Venetian influences and evolving throughout his career.

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