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Birth is one of a series of aggressively painted canvases completed soon after Pollock’s death. The paintings in the series share black lines, pink palettes, and Pablo Picasso-influenced female forms. Birth is a large vertical painting containing a strong visceral quality emblematic of Krasner’s mental state at the time; it exudes a palpable sense of distress. The large loose strokes that form the contours of ambiguous body parts, reminiscent of Willem De Kooning, appear to have been painted with tremendous speed. Krasner scratched into the surface of the paint in seemingly erratic lines in the upper right of the canvas. The scratched lines, along with the heavy black lines and drips, impart a tortured quality to the painted surface. The color palette is a jarring contrast of fleshy pinks and deep black and red. Round shapes at the top of the painting suggest mask-like faces and haunting eyes.

Birth

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Birth Art Print
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Birth Canvas Print
Rolled • 7x12 inches

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Birth Canvas Print
Rolled • 10x18 inches

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Birth Canvas Print
Rolled • 14x24 inches

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Birth Canvas Print
Rolled • 17x30 inches

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Birth Canvas Print
Wrapped • 7x12 inches

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Birth Canvas Print
Wrapped • 10x18 inches

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Birth Canvas Print
Wrapped • 14x24 inches

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Birth Canvas Print
Wrapped • 17x30 inches

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Birth Canvas Framed Print
Framed • 7x12 inches

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Birth Canvas Framed Print
Framed • 10x18 inches

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Birth Canvas Framed Print
Framed • 14x24 inches

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Birth Canvas Framed Print
Framed • 17x30 inches

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Birth Framed Print
Framed With Mat • 7x12 inches

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Birth Framed Print
Framed With Mat • 10x18 inches

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Birth Framed Print
Framed With Mat • 14x24 inches

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Birth Framed Print
Framed With Mat • 17x30 inches

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Birth Poster
Rolled • 24x30 inches

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Birth Poster
Framed • 24x30 inches

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Birth Large Canvas Print
Rolled • 21x36 inches

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Birth Large Canvas Print
Wrapped • 21x36 inches

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Birth Large Framed Print
Framed With Mat • 21x36 inches

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Birth is one of a series of aggressively painted canvases completed soon after Pollock’s death. The paintings in the series share black lines, pink palettes, and Pablo Picasso-influenced female forms. Birth is a large vertical painting containing a strong visceral quality emblematic of Krasner’s mental state at the time; it exudes a palpable sense of distress. The large loose strokes that form the contours of ambiguous body parts, reminiscent of Willem De Kooning, appear to have been painted with tremendous speed. Krasner scratched into the surface of the paint in seemingly erratic lines in the upper right of the canvas. The scratched lines, along with the heavy black lines and drips, impart a tortured quality to the painted surface. The color palette is a jarring contrast of fleshy pinks and deep black and red. Round shapes at the top of the painting suggest mask-like faces and haunting eyes.

Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time.

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