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“New York Movie” by the famous painter Edward Hopper is one of his best and most popular as well as one of his largest paintings.



A movie theater in New York, one of those elaborate mock palaces where Hollywood spirits us for a few hours into another world - in this case apparently the high mountains. Spirits us as audience, that is, but not the usher, who has probably seen the movie a thousand times and waits for the curtain, mulling over her own thoughts. Her stationary figure counterpoints the screen with its incessantly flickering illusions of places not here and not now.

 

Like most of the female figures in Hopper's paintings, this one was based on his wife, Jo, who posed standing under a lamp in the hall of their apartment. As the many preliminary studies for the picture show, Hopper not only drew his wife in various different poses for New York Movie, but precisely designed the auditorium decor, down to the pattern of the carpet. Again and again he sketched the foyers, stairways, and auditoriums of his favorite movie houses, the Palace, Globe, Republic, and Strand.

Edward Hopper - New York Movie

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Edward Hopper - New York Movie Art Print
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Edward Hopper - New York Movie Canvas Print
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Edward Hopper - New York Movie Canvas Framed Print
Framed • 12x10 inches

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Edward Hopper - New York Movie Canvas Print
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Edward Hopper - New York Movie Canvas Print
Rolled • 18x15 inches

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Edward Hopper - New York Movie Canvas Print
Rolled • 24x19 inches

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Large Size

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Edward Hopper - New York Movie Canvas Print
Rolled • 30x24 inches

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Compact Size

Compact Size

Edward Hopper - New York Movie Canvas Print
Wrapped • 18x15 inches

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Compact Size

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Edward Hopper - New York Movie Canvas Framed Print
Framed • 18x15 inches

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Medium Size

Medium Size

Edward Hopper - New York Movie Canvas Print
Wrapped • 24x19 inches

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Medium Size

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Edward Hopper - New York Movie Canvas Framed Print
Framed • 24x19 inches

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Edward Hopper - New York Movie Canvas Print
Wrapped • 30x24 inches

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Edward Hopper - New York Movie Canvas Framed Print
Framed • 30x24 inches

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Edward Hopper - New York Movie Framed Print
Framed with Mat • 12x10 inches

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Edward Hopper - New York Movie Framed Print
Framed with Mat • 18x15 inches

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Edward Hopper - New York Movie Framed Print
Framed with Mat • 24x19 inches

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Edward Hopper - New York Movie Framed Print
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Edward Hopper - New York Movie Poster
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Edward Hopper - New York Movie Poster
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“New York Movie” by the famous painter Edward Hopper is one of his best and most popular as well as one of his largest paintings. A movie theater in New York, one of those elaborate mock palaces where Hollywood spirits us for a few hours into another world - in this case apparently the high mountains. Spirits us as audience, that is, but not the usher, who has probably seen the movie a thousand times and waits for the curtain, mulling over her own thoughts. Her stationary figure counterpoints the screen with its incessantly flickering illusions of places not here and not now.   Like most of the female figures in Hopper's paintings, this one was based on his wife, Jo, who posed standing under a lamp in the hall of their apartment. As the many preliminary studies for the picture show, Hopper not only drew his wife in various different poses for New York Movie, but precisely designed the auditorium decor, down to the pattern of the carpet. Again and again he sketched the foyers, stairways, and auditoriums of his favorite movie houses, the Palace, Globe, Republic, and Strand.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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