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"b and p" painted by Josef Albers shows a great example where bilateral symmetry is employed. Furthermore, the relationship of warm to cool colors (beige to blue), and the haloes of color painted around the central fi gures, introduce a sense of relief to the image in the Cezannian sense. Once again the maximum light refl ection is concentrated in the center images.

b and p

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Wrapped • 11x12 inches

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b and p Canvas Framed Print
Framed • 11x12 inches

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b and p Canvas Print
Rolled • 17x18 inches

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b and p Canvas Print
Rolled • 23x24 inches

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b and p Canvas Print
Wrapped • 17x18 inches

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b and p Canvas Framed Print
Framed • 17x18 inches

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b and p Canvas Print
Rolled • 28x30 inches

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b and p Canvas Print
Wrapped • 23x24 inches

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b and p Canvas Framed Print
Framed • 23x24 inches

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b and p Canvas Print
Wrapped • 28x30 inches

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b and p Canvas Framed Print
Framed • 28x30 inches

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b and p Framed Print
Framed with Mat • 11x12 inches

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b and p Framed Print
Framed with Mat • 17x18 inches

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b and p Framed Print
Framed with Mat • 23x24 inches

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b and p Framed Print
Framed with Mat • 28x30 inches

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b and p Poster
Rolled • Life Size 24X33 inches

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b and p Poster
Framed • Life Size 24X33 inches

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b and p Large Canvas Print
Rolled • 34x36 inches

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b and p Large Canvas Print
Rolled • 48x51 inches

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b and p Large Canvas Print
Wrapped • 34x36 inches

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b and p Large Framed Print
Framed With Mat • 34x36 inches

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b and p Large Canvas Print
Wrapped • 42x45 inches

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b and p Large Framed Print
Framed With Mat • 48x51 inches

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"b and p" painted by Josef Albers shows a great example where bilateral symmetry is employed. Furthermore, the relationship of warm to cool colors (beige to blue), and the haloes of color painted around the central fi gures, introduce a sense of relief to the image in the Cezannian sense. Once again the maximum light refl ection is concentrated in the center images.

Josef Albers, an American Painter, Poet, Sculptor, Teacher, and Theoretician, whose work, formed the basis of some of the most influential and far-reaching art education programs of the twentieth century.   Albers's most profound impact on the history and practice of modern art was his transformation of art education and pedagogy. Central to this pedagogy was a non-dogmatic, un-hierarchical, "scientific" approach based on observation and experimentation.His strategies of "defamiliarization," such as drawing with the non-dominant hand, mirror writing, exploring optical illusions, and representing "negative" spaces, sharpened visual observation, precision, and awareness and are now an accepted part of the academic training of visual artists.

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