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In this painting, The Acrobat, Picasso depicted the human figure with the cube of the frame despite the apparent freedom of movement. The figure is also maintained by the colors, which controls the motion of the body. It seems the body shape is locked within a white form and then pinioned against the implied stasis of the black background. This painting is a good proof of the paradox of movement and rigidity. This figure seems like a male but we cannot be sure since in that period there are so many works are disfigurations of the female form. Since most of Surrealist works contain some sexual reference or punning, so it's possible this weird, dangling phallic hand is similar to the pendulous penile limb formations of painting Woman in an Armchair (1929).

The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Poster
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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Poster
Framed • - 12x17 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Art Print
Rolled • 9x12 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Art Print
Rolled • 14x18 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Print
Rolled • 9x12 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Print
Rolled • 14x18 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Print
Wrapped • 9x12 inches

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Compact Size

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Print
Wrapped • 14x18 inches

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Framed Print
Framed • 9x12 inches

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Compact Size

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Canvas Framed Print
Framed • 14x18 inches

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Small Size

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Framed Print
Framed With Mat • 9x12 inches

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Compact Size

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The Acrobat, 1930 (L'Acrobate, 1930) – Pablo Picasso Painting Framed Print
Framed With Mat • 14x18 inches

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In this painting, The Acrobat, Picasso depicted the human figure with the cube of the frame despite the apparent freedom of movement. The figure is also maintained by the colors, which controls the motion of the body. It seems the body shape is locked within a white form and then pinioned against the implied stasis of the black background. This painting is a good proof of the paradox of movement and rigidity. This figure seems like a male but we cannot be sure since in that period there are so many works are disfigurations of the female form. Since most of Surrealist works contain some sexual reference or punning, so it's possible this weird, dangling phallic hand is similar to the pendulous penile limb formations of painting Woman in an Armchair (1929).

Picasso (1881-1973) was a Spanish painter, sculptor, printmaker and ceramicist.Picasso achieved universal acclaim and immense fortune for his revolutionary artistic accomplishments; becoming one of the best-known figures in the 20th century art.He is also known for co-founding the Cubist movement, the invention of constructed sculpture and the co-invention of collage.

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