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Piet Mondrian contributes to the abstract visual language in a large way despite using a relatively small canvas. Thick, black brushwork defines the borders of the different geometric figures. Comparably, the black brushwork on the canvas is very minimal but it is masterfully applied to become one of the defining features of the work.

New York City 1942 - Piet Mondrian

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New York City 1942 - Piet Mondrian Poster
Rolled • 12x17 inches

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New York City 1942 - Piet Mondrian Poster
Framed • 12x17 inches

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New York City 1942 - Piet Mondrian Art Print
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New York City 1942 - Piet Mondrian Art Print
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New York City 1942 - Piet Mondrian Art Print
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New York City 1942 - Piet Mondrian Art Print
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New York City 1942 - Piet Mondrian Canvas Print
Rolled • 12x12 inches

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New York City 1942 - Piet Mondrian Canvas Framed Print
Framed • 12x12 inches

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New York City 1942 - Piet Mondrian Canvas Print
Wrapped • 12x12 inches

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New York City 1942 - Piet Mondrian Canvas Print
Rolled • 17x18 inches

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Medium Size

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New York City 1942 - Piet Mondrian Canvas Print
Rolled • 23x24 inches

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Compact Size

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New York City 1942 - Piet Mondrian Canvas Print
Wrapped • 17x18 inches

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New York City 1942 - Piet Mondrian Canvas Framed Print
Framed • 17x18 inches

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Large Size

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New York City 1942 - Piet Mondrian Canvas Print
Rolled • 29x30 inches

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Medium Size

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New York City 1942 - Piet Mondrian Canvas Print
Wrapped • 23x24 inches

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Medium Size

Medium Size

New York City 1942 - Piet Mondrian Canvas Framed Print
Framed • 23x24 inches

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Large Size

Large Size

New York City 1942 - Piet Mondrian Canvas Print
Wrapped • 29x30 inches

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Large Size

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New York City 1942 - Piet Mondrian Canvas Framed Print
Framed • 29x30 inches

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New York City 1942 - Piet Mondrian Framed Print
Framed with Mat • 12x12 inches

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New York City 1942 - Piet Mondrian Framed Print
Framed with Mat • 17x18 inches

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Medium Size

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New York City 1942 - Piet Mondrian Framed Print
Framed with Mat • 23x24 inches

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New York City 1942 - Piet Mondrian Framed Print
Framed with Mat • 29x30 inches

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New York City 1942 - Piet Mondrian Poster
Rolled • Life Size 24X33 inches

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New York City 1942 - Piet Mondrian Poster
Framed • Life Size 24X33 inches

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New York City 1942 - Piet Mondrian Large Canvas Print
Rolled • 35x36 inches

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New York City 1942 - Piet Mondrian Large Canvas Print
Rolled • 48x50 inches

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New York City 1942 - Piet Mondrian Large Canvas Print
Wrapped • 35x36 inches

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New York City 1942 - Piet Mondrian Large Framed Print
Framed With Mat • 35x36 inches

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New York City 1942 - Piet Mondrian Large Canvas Print
Wrapped • 42x44 inches

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New York City 1942 - Piet Mondrian Large Framed Print
Framed With Mat • 48x50 inches

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Piet Mondrian contributes to the abstract visual language in a large way despite using a relatively small canvas. Thick, black brushwork defines the borders of the different geometric figures. Comparably, the black brushwork on the canvas is very minimal but it is masterfully applied to become one of the defining features of the work.

Piet Mondrian (7 March 1872 – 1 February 1944), was a Dutch painter. He was a contributor to the De Stijl art movement and group. Mondrian evolved a non-representational form which he termed neoplasticism. This consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors. Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.

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