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In this canvas, which is over eight feet wide, Husain evokes a sense of village life, depicting women at work and powerful patriarchs as symbols of hope and optimism. Mighty tigers coexist with majestic elephants in a representation of unity, strength, fertility and communitarianism. The tall accompanying male figure appears frequently in Hussain’s iconography of the time, as a symbol of the sufferings and evil of man inflicted so needlessly in the wake of Partition. The two blank panels possibly refer to the unknown future — a positive hope for the future — a space yet to be filled.

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In this canvas, which is over eight feet wide, Husain evokes a sense of village life, depicting women at work and powerful patriarchs as symbols of hope and optimism. Mighty tigers coexist with majestic elephants in a representation of unity, strength, fertility and communitarianism. The tall accompanying male figure appears frequently in Hussain’s iconography of the time, as a symbol of the sufferings and evil of man inflicted so needlessly in the wake of Partition. The two blank panels possibly refer to the unknown future — a positive hope for the future — a space yet to be filled.

Maqbool Fida Husain (1915 - 2011) was a modern Indian painter of international acclaim, and a founding member of The Progressive Artists Group of Bombay (PAG). M F Husain was associated with Indian modernism in the 1940s.    Husain began his career by painting billboards for feature films. Hussain's —sometimes treated in series—include topics as diverse as Gandhi, Mother Teresa, Ramayana, Mahabharata, British Raj, Bollywood, horses and motifs of Indian urban and rural life.   M. F. Husain’s name has become almost synonymous with modern Indian art, for no single artist has popularised Indian art. M F Husain was a special invitee along with Pablo Picasso at the Sao Paulo Biennial (Brazil) in 1971.


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