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Portrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being "modernist", explaining that the sitter "did not want her picture to be realistic; it had to be stylised." In common with Lowry's other oil paintings, Ann was executed using ivory black, vermilion, Prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of The Studio as having a "crudely stylised face", but it was not without its supporters; Nesta Ellis, writing for the Sphinx art journal, thought the painting "gave the impression of an impassive yet wilful woman". Ann was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976.

Portrait of Ann in Red Jumper

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Portrait of Ann in Red Jumper Poster
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Portrait of Ann in Red Jumper Poster
Framed • - 12x17 inches

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Portrait of Ann in Red Jumper Art Print
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Portrait of Ann in Red Jumper Art Print
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Portrait of Ann in Red Jumper Art Print
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Portrait of Ann in Red Jumper Canvas Print
Rolled • 9x12 inches

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Portrait of Ann in Red Jumper Canvas Print
Rolled • 13x18 inches

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Portrait of Ann in Red Jumper Canvas Print
Rolled • 17x24 inches

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Portrait of Ann in Red Jumper Canvas Print
Wrapped • 9x12 inches

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Portrait of Ann in Red Jumper Canvas Print
Wrapped • 13x18 inches

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Portrait of Ann in Red Jumper Canvas Print
Wrapped • 17x24 inches

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Portrait of Ann in Red Jumper Canvas Framed Print
Framed • 9x12 inches

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Portrait of Ann in Red Jumper Canvas Framed Print
Framed • 13x18 inches

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Medium Size

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Portrait of Ann in Red Jumper Canvas Framed Print
Framed • 17x24 inches

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Portrait of Ann in Red Jumper Framed Print
Framed With Mat • 9x12 inches

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Portrait of Ann in Red Jumper Framed Print
Framed With Mat • 13x18 inches

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Medium Size

Portrait of Ann in Red Jumper Framed Print
Framed With Mat • 17x24 inches

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Portrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being "modernist", explaining that the sitter "did not want her picture to be realistic; it had to be stylised." In common with Lowry's other oil paintings, Ann was executed using ivory black, vermilion, Prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of The Studio as having a "crudely stylised face", but it was not without its supporters; Nesta Ellis, writing for the Sphinx art journal, thought the painting "gave the impression of an impassive yet wilful woman". Ann was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976.

Laurence Stephen Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. L. S. Lowry developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as "matchstick men". Lowry painted mysterious un-populated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.

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