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Sargent was one of several painters commissioned by the British War Memorials Committee of the British Ministry of Information to create a large painting for a planned Hall of Remembrance.[2] The plan was a complement to the artworks commissioned by the Canadian War Memorials Fund since 1916 at the instigation of Lord Beaverbrook, who, by 1918, was serving as the British Minister of Information. Other works were commissioned from Percy Wyndham Lewis, Paul Nash, Henry Lamb, John Nash and Stanley Spencer. The large scale of the works was inspired by Uccello's triptych The Battle of San Romano. The plan for a Hall of Remembrance decorated by large paintings was abandoned when the project was incorporated with that for Imperial War Museum.

The Arrival of American Troops at the Front - John Singer Sargent Painting

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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
Wrapped • 18x11 inches

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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Framed Print
Framed • 18x11 inches

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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Framed Print
Framed • 24x15 inches

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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Print
Wrapped • 30x19 inches

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The Arrival of American Troops at the Front - John Singer Sargent Painting Canvas Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Framed Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Poster
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The Arrival of American Troops at the Front - John Singer Sargent Painting Large Canvas Print
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The Arrival of American Troops at the Front - John Singer Sargent Painting Large Framed Print
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Sargent was one of several painters commissioned by the British War Memorials Committee of the British Ministry of Information to create a large painting for a planned Hall of Remembrance.[2] The plan was a complement to the artworks commissioned by the Canadian War Memorials Fund since 1916 at the instigation of Lord Beaverbrook, who, by 1918, was serving as the British Minister of Information. Other works were commissioned from Percy Wyndham Lewis, Paul Nash, Henry Lamb, John Nash and Stanley Spencer. The large scale of the works was inspired by Uccello's triptych The Battle of San Romano. The plan for a Hall of Remembrance decorated by large paintings was abandoned when the project was incorporated with that for Imperial War Museum.

John Singer Sargent was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. Sargent was born in Florence, Italy to American parents.   Sargent studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.Sargent studied with Carolus-Duran, whose influence would be pivotal, from 1874-1878. Carolus-Duran's atelier was progressive, dispensing with the traditional academic approach which required careful drawing and underpainting, in favor of the alla prima method of working directly on the canvas with a loaded brush, derived from Diego Velázquez. It was an approach which relied on the proper placement of tones of paint.


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