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One of the best art works by Raja Ravi Varma. Raja Ravi Varma painted the picture in 1895 at the age of around 45 years. Thus, the gathered knowledge and experience of painting art is clearly visible in the current painting. This oil on canvas painting is currently residing in Sri Chitra Art Gallery, Thiruvananthapuram, Kerala, India. There is also another version by the artist of the same incident.

 

The painting by the Indian artist represents the exact moment when Ravan cut off the wing. After that Jatayu was unable to fly anymore and fell on the ground. Although, the painting doesn’t include the Pushpak Vimana which is present in the folklore, the essence of the scene represents them all flying. Sita is grabbed by Ravana in one hand while fighting with another hand. As much shame Sita is feeling to be in hands of other man than his husband, she is also unable to see the old Jatayu’s wings cut off and death. Thus, she has hid her face arms in agony.

 

Ravana’s stance and face represents his victory. The realization of winning the battle has made him happy and smiling viciously. Although, a bird’s face can’t provide enough expressions, but we can assume that Jatayu is also in shock with her one wing cut off.

 

The clothes and garments of both Ravana and Sita are contemporary to the epic’s time when along with women wealthy people and kings also wore enough ornaments

 

Jatayu Vadham

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Jatayu Vadham Canvas Print
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Jatayu Vadham Canvas Framed Print
Framed • 9x12 inches

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Jatayu Vadham Canvas Print
Wrapped • 9x12 inches

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Jatayu Vadham Canvas Print
Rolled • 13x18 inches

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Jatayu Vadham Canvas Print
Rolled • 17x24 inches

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Jatayu Vadham Canvas Print
Rolled • 21x30 inches

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Jatayu Vadham Canvas Print
Wrapped • 13x18 inches

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Jatayu Vadham Canvas Framed Print
Framed • 13x18 inches

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Medium Size

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Jatayu Vadham Canvas Print
Wrapped • 17x24 inches

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Jatayu Vadham Canvas Framed Print
Framed • 17x24 inches

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Jatayu Vadham Canvas Print
Wrapped • 21x30 inches

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Jatayu Vadham Canvas Framed Print
Framed • 21x30 inches

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Jatayu Vadham Framed Print
Framed with Mat • 9x12 inches

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Jatayu Vadham Framed Print
Framed with Mat • 13x18 inches

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Jatayu Vadham Framed Print
Framed with Mat • 17x24 inches

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Jatayu Vadham Poster
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Jatayu Vadham Large Canvas Print
Rolled • 26x36 inches

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Jatayu Vadham Large Canvas Print
Wrapped • 26x36 inches

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Jatayu Vadham Large Framed Print
Framed With Mat • 26x36 inches

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One of the best art works by Raja Ravi Varma. Raja Ravi Varma painted the picture in 1895 at the age of around 45 years. Thus, the gathered knowledge and experience of painting art is clearly visible in the current painting. This oil on canvas painting is currently residing in Sri Chitra Art Gallery, Thiruvananthapuram, Kerala, India. There is also another version by the artist of the same incident.   The painting by the Indian artist represents the exact moment when Ravan cut off the wing. After that Jatayu was unable to fly anymore and fell on the ground. Although, the painting doesn’t include the Pushpak Vimana which is present in the folklore, the essence of the scene represents them all flying. Sita is grabbed by Ravana in one hand while fighting with another hand. As much shame Sita is feeling to be in hands of other man than his husband, she is also unable to see the old Jatayu’s wings cut off and death. Thus, she has hid her face arms in agony.   Ravana’s stance and face represents his victory. The realization of winning the battle has made him happy and smiling viciously. Although, a bird’s face can’t provide enough expressions, but we can assume that Jatayu is also in shock with her one wing cut off.   The clothes and garments of both Ravana and Sita are contemporary to the epic’s time when along with women wealthy people and kings also wore enough ornaments  

Raja Ravi Varma was an Indian painter and artist, considered as one of the greatest painters in the history of Indian art. Varma is known for his amazing paintings, which revolve mainly around the Puranas and the great Indian epics - Mahabharata and Ramayana.   Raja Ravi Verma uniquely managed to accomplish a beautiful union of Indian sensibilities and iconography with the techniques of European academic art.

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