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I suppose the most challenging and distressing period of one’s life is when somebody close to us, somebody we love, dies.  It is both a traumatic and painful time when suddenly we feel the loss of someone we loved.  Later, we want to cling to memories of the dead person.  We want to remember them forever.  We do not want to ever forget that person who had so touched our lives. Within days of our loved one dying, we are offered the chance to see the deceased one last time as they lay in rest in the funeral parlor.

It makes no difference how well the mortician has waved his or her magic wand over the deceased, the face of the person is pallid and lifeless and only our mental capacity and power of imagination can change that image.  Ultimately, our fondest recollection of the deceased person is almost always through photographs, which sadly, like our recollections, fade over time.  Even after photography became the medium of remembrance, a painting of a person acted as an aide-mémoire and in today’s blog I want to look at how one family wanted to remember their deceased daughter.

Ria Munk On Her Deathbed

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Ria Munk On Her Deathbed Poster
Rolled • - 17x12 inches

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Ria Munk On Her Deathbed Poster
Framed • - 17x12 inches

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Ria Munk On Her Deathbed Art Print
Rolled • 12x12 inches

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Ria Munk On Her Deathbed Art Print
Rolled • 18x18 inches

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Ria Munk On Her Deathbed Canvas Print
Rolled • 12x12 inches

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Ria Munk On Her Deathbed Canvas Print
Rolled • 18x18 inches

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Ria Munk On Her Deathbed Canvas Print
Wrapped • 12x12 inches

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Ria Munk On Her Deathbed Canvas Print
Wrapped • 18x18 inches

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Ria Munk On Her Deathbed Canvas Framed Print
Framed • 12x12 inches

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Ria Munk On Her Deathbed Canvas Framed Print
Framed • 18x18 inches

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Ria Munk On Her Deathbed Framed Print
Framed With Mat • 12x12 inches

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Ria Munk On Her Deathbed Framed Print
Framed With Mat • 18x18 inches

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I suppose the most challenging and distressing period of one’s life is when somebody close to us, somebody we love, dies.  It is both a traumatic and painful time when suddenly we feel the loss of someone we loved.  Later, we want to cling to memories of the dead person.  We want to remember them forever.  We do not want to ever forget that person who had so touched our lives. Within days of our loved one dying, we are offered the chance to see the deceased one last time as they lay in rest in the funeral parlor. It makes no difference how well the mortician has waved his or her magic wand over the deceased, the face of the person is pallid and lifeless and only our mental capacity and power of imagination can change that image.  Ultimately, our fondest recollection of the deceased person is almost always through photographs, which sadly, like our recollections, fade over time.  Even after photography became the medium of remembrance, a painting of a person acted as an aide-mémoire and in today’s blog I want to look at how one family wanted to remember their deceased daughter.

Gustav Klimt (1862 - 1918) was an Austrian decorative painter and creator of erotic art that greatly added to Art Nouveau and modernism as a wholeKlimt was most influence by Japanese art and methods. His work was constantly criticized for being too sensual and erotic and his symbolism too deviantPortrait of Adele Bloch-Bauer I by Klimt is one the most expensive paintings ever sold.

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