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"Morning Sun" By Edward Hopper is his very famous painting.


Edward Hopper was one of the early American artists to paint the experience of human isolation in the modern city. In Morning Sun, the woman - modeled after Hopper's wife, Jo - faces the sun impassively and seemingly lost in thought. Her visible right eye appears sightless, emphasizing her isolation. The bare wall and the elevation of the room above the street also suggest the bleakness and solitude of impersonal urban life.

Morning Sun - II

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Morning Sun - II Poster
Rolled • 17x12 inches

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Morning Sun - II Poster
Framed • 17x12 inches

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Morning Sun - II Art Print
Rolled • 12x8 inches

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Morning Sun - II Art Print
Rolled • 18x13 inches

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Morning Sun - II Art Print
Rolled • 24x17 inches

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Morning Sun - II Canvas Print
Rolled • 12x8 inches

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Morning Sun - II Canvas Print
Rolled • 18x13 inches

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Morning Sun - II Canvas Framed Print
Framed • 12x8 inches

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Morning Sun - II Canvas Print
Wrapped • 12x8 inches

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Medium Size

Medium Size

Morning Sun - II Canvas Print
Rolled • 24x17 inches

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Compact Size

Compact Size

Morning Sun - II Canvas Print
Wrapped • 18x13 inches

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Compact Size

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Morning Sun - II Canvas Framed Print
Framed • 18x13 inches

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Medium Size

Medium Size

Morning Sun - II Canvas Print
Wrapped • 24x17 inches

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Medium Size

Medium Size

Morning Sun - II Canvas Framed Print
Framed • 24x17 inches

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Morning Sun - II Framed Print
Framed with Mat • 12x8 inches

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Morning Sun - II Framed Print
Framed with Mat • 18x13 inches

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Medium Size

Medium Size

Morning Sun - II Framed Print
Framed with Mat • 24x17 inches

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"Morning Sun" By Edward Hopper is his very famous painting. Edward Hopper was one of the early American artists to paint the experience of human isolation in the modern city. In Morning Sun, the woman - modeled after Hopper's wife, Jo - faces the sun impassively and seemingly lost in thought. Her visible right eye appears sightless, emphasizing her isolation. The bare wall and the elevation of the room above the street also suggest the bleakness and solitude of impersonal urban life.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.

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