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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

SANS TITRE (VILLAGE) , 1956

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SANS TITRE (VILLAGE) , 1956 Poster
Rolled • 17x12 inches

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SANS TITRE (VILLAGE) , 1956 Poster
Framed • 17x12 inches

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SANS TITRE (VILLAGE) , 1956 Art Print
Rolled • 12x10 inches

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SANS TITRE (VILLAGE) , 1956 Art Print
Rolled • 18x15 inches

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SANS TITRE (VILLAGE) , 1956 Art Print
Rolled • 24x21 inches

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SANS TITRE (VILLAGE) , 1956 Art Print
Rolled • 30x26 inches

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SANS TITRE (VILLAGE) , 1956 Canvas Print
Rolled • 12x10 inches

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SANS TITRE (VILLAGE) , 1956 Canvas Print
Wrapped • 12x10 inches

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SANS TITRE (VILLAGE) , 1956 Canvas Framed Print
Framed • 12x10 inches

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Compact Size

Compact Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Rolled • 18x15 inches

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Medium Size

Medium Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Rolled • 24x21 inches

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Compact Size

Compact Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Wrapped • 18x15 inches

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Compact Size

Compact Size

SANS TITRE (VILLAGE) , 1956 Canvas Framed Print
Framed • 18x15 inches

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Large Size

Large Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Rolled • 30x26 inches

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Medium Size

Medium Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Wrapped • 24x21 inches

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Medium Size

Medium Size

SANS TITRE (VILLAGE) , 1956 Canvas Framed Print
Framed • 24x21 inches

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Large Size

Large Size

SANS TITRE (VILLAGE) , 1956 Canvas Print
Wrapped • 30x26 inches

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Large Size

Large Size

SANS TITRE (VILLAGE) , 1956 Canvas Framed Print
Framed • 30x26 inches

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Small Size

SANS TITRE (VILLAGE) , 1956 Framed Print
Framed with Mat • 12x10 inches

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Compact Size

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SANS TITRE (VILLAGE) , 1956 Framed Print
Framed with Mat • 18x15 inches

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Medium Size

Medium Size

SANS TITRE (VILLAGE) , 1956 Framed Print
Framed with Mat • 24x21 inches

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Large Size

SANS TITRE (VILLAGE) , 1956 Framed Print
Framed with Mat • 30x26 inches

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SANS TITRE (VILLAGE) , 1956 Poster
Rolled • Life Size 24X33 inches

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SANS TITRE (VILLAGE) , 1956 Poster
Framed • Life Size 24X33 inches

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SANS TITRE (VILLAGE) , 1956 Large Canvas Print
Rolled • 36x31 inches

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SANS TITRE (VILLAGE) , 1956 Large Canvas Print
Rolled • 43x36 inches

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SANS TITRE (VILLAGE) , 1956 Large Canvas Print
Wrapped • 36x31 inches

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SANS TITRE (VILLAGE) , 1956 Large Framed Print
Framed With Mat • 36x31 inches

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SANS TITRE (VILLAGE) , 1956 Large Canvas Print
Wrapped • 43x36 inches

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XX-Large Size

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SANS TITRE (VILLAGE) , 1956 Large Framed Print
Framed With Mat • 43x36 inches

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Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

Sayed Haider Raza, “S H Raza” is one of the most respected Modernists of India and is celebrated for his range of styles and the uniqueness of his vision. His early forms reflect a mastery of abstraction and after years of travel, exploration, and experimentation, he returned to Indian visual idioms for inspiration in the late 1970s, culling from tantric imagery. SH Raza looked to forms as the bindu (seminal source of energy), beej (seed), and garbagraha (sanctum sanctorum or hallowed space) for inspiration. Furthermore, he ascribed color with symbolic meaning and transformed local visual traditions into universal yet deeply personal spiritual iconographies.)

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