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Hotel Window is a classic example of Hopper's evocative exploration of the theme of isolation in American urban life in the 20th Century. Depicting an elegantly dressed older woman seated on a navy couch in an anonymous hotel lobby staring absently out of a darkened window, the large-scale (40 by 55 in.) canvas expresses the loneliness and alienation that defined not only a certain aspect of American experience, but also, in the artist's phrase, the whole human condition. On 11/29/2006 at Sotheby's before a crowded salesroom, Hotel Window is sold for $26,896,000, soaring well above the presale estimate of $10/15 million and setting a record for the artist at auction.

Hotel Window

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Hotel Window Poster
Rolled • 17x12 inches

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Hotel Window Poster
Framed • 17x12 inches

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Hotel Window Art Print
Rolled • 12x9 inches

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Hotel Window Canvas Print
Rolled • 12x9 inches

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Hotel Window Canvas Print
Wrapped • 12x9 inches

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Hotel Window Canvas Framed Print
Framed • 12x9 inches

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Hotel Window Framed Print
Framed with Mat • 12x9 inches

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Hotel Window is a classic example of Hopper's evocative exploration of the theme of isolation in American urban life in the 20th Century. Depicting an elegantly dressed older woman seated on a navy couch in an anonymous hotel lobby staring absently out of a darkened window, the large-scale (40 by 55 in.) canvas expresses the loneliness and alienation that defined not only a certain aspect of American experience, but also, in the artist's phrase, the whole human condition. On 11/29/2006 at Sotheby's before a crowded salesroom, Hotel Window is sold for $26,896,000, soaring well above the presale estimate of $10/15 million and setting a record for the artist at auction.

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theatres, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes.   No one captured the isolation of the individual within the modern city like Edward Hopper. His imagery of figures within urban settings go well beyond their role as modern cityscapes, exposing the underbelly of the human experience. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.


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