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Tableau No. 2/Composition No. VII, painted a year after his arrival in 1912, exemplifies Mondrian’s new approach. Mondrian broke down his subject, in this case a tree, into interlocking black lines and planes of color. He also limited his palette to close-valued ochre and gray tones that recall Cubist canvases.

Tableau #2 Composition VII

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Tableau #2 Composition VII Art Print
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Tableau #2 Composition VII Canvas Print
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Tableau #2 Composition VII Canvas Framed Print
Framed • 11x12 inches

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Tableau #2 Composition VII Canvas Print
Wrapped • 11x12 inches

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Tableau #2 Composition VII Canvas Print
Rolled • 16x18 inches

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Tableau #2 Composition VII Canvas Print
Rolled • 21x24 inches

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Tableau #2 Composition VII Canvas Print
Wrapped • 16x18 inches

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Tableau #2 Composition VII Canvas Framed Print
Framed • 16x18 inches

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Tableau #2 Composition VII Canvas Print
Rolled • 27x30 inches

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Tableau #2 Composition VII Canvas Print
Wrapped • 21x24 inches

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Tableau #2 Composition VII Canvas Framed Print
Framed • 21x24 inches

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Tableau #2 Composition VII Canvas Print
Wrapped • 27x30 inches

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Tableau #2 Composition VII Canvas Framed Print
Framed • 27x30 inches

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Tableau #2 Composition VII Framed Print
Framed with Mat • 11x12 inches

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Tableau #2 Composition VII Framed Print
Framed with Mat • 16x18 inches

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Tableau #2 Composition VII Framed Print
Framed with Mat • 21x24 inches

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Tableau #2 Composition VII Framed Print
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Tableau #2 Composition VII Poster
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Tableau #2 Composition VII Poster
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Tableau #2 Composition VII Large Canvas Print
Rolled • 32x36 inches

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Tableau #2 Composition VII Large Canvas Print
Wrapped • 32x36 inches

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Tableau #2 Composition VII Large Framed Print
Framed With Mat • 32x36 inches

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Tableau No. 2/Composition No. VII, painted a year after his arrival in 1912, exemplifies Mondrian’s new approach. Mondrian broke down his subject, in this case a tree, into interlocking black lines and planes of color. He also limited his palette to close-valued ochre and gray tones that recall Cubist canvases.

Piet Mondrian (7 March 1872 – 1 February 1944), was a Dutch painter. He was a contributor to the De Stijl art movement and group. Mondrian evolved a non-representational form which he termed neoplasticism. This consisted of white ground, upon which he painted a grid of vertical and horizontal black lines and the three primary colors. Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.

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