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Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement. Basquiat first achieved fame as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams in the cultural hotbed of Manhattan's Lower East Side during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in documenta in Kassel. At 22, he was one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the Black community, as well as attacks on power structures and systems of racism. His visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle.

Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Art Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Art Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
Rolled • 13x18 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
Wrapped • 13x18 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
Wrapped • 18x24 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Framed Print
Framed • 9x12 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Framed Print
Framed • 13x18 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Framed Print
Framed • 18x24 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Canvas Framed Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Framed Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Framed Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Framed Print
Framed With Mat • 18x24 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Framed Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Poster
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Large Art Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Large Canvas Print
Rolled • 27x36 inches

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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Large Canvas Print
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Furious Man - Jean-Michael Basquiat - Neo Expressionist Painting Large Framed Print
Framed With Mat • 27x36 inches

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Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement. Basquiat first achieved fame as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams in the cultural hotbed of Manhattan's Lower East Side during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in documenta in Kassel. At 22, he was one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the Black community, as well as attacks on power structures and systems of racism. His visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle.

Jean-Michel Basquiat emerged from the "Punk" scene in New York as a gritty, street-smart graffiti artist who successfully crossed over from his "downtown" origins to the international art gallery circuit. In a few fast-paced years, Basquiat swiftly rose to become one of the most celebrated, and possibly most commercially exploited American "naif" painters of the widely celebrated Neo-Expressionism art movement.   Basquiat's work is one of the few examples of how an early 1980s American Punk, or graffiti-based and counter-cultural practice could become a fully recognized, critically embraced and popularly celebrated artistic phenomenon, indeed not unlike the rise of American Hip Hop during the same era.

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