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In 1946, de Kooning began a series of largely black and white paintings that culminated in his first solo exhibition at New York's Charles Egan Gallery in the spring of 1948. On paper the enamel paint also dried quickly, allowing de Kooning to build up wafer-thin layers of experimental forms without worry that they would blend together. The restricted palette of black and white allowed de Kooning to experiment with a loose, Cubist-style abstraction, but remnants of the human figure remain underneath the swirls of paint.

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Rolled • 18x14 inches

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Black Untitled Canvas Print
Wrapped • 18x14 inches

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Black Untitled Canvas Framed Print
Framed • 18x14 inches

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Medium Size

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Black Untitled Canvas Print
Wrapped • 24x19 inches

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Black Untitled Canvas Framed Print
Framed • 24x19 inches

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Black Untitled Framed Print
Framed with Mat • 24x19 inches

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In 1946, de Kooning began a series of largely black and white paintings that culminated in his first solo exhibition at New York's Charles Egan Gallery in the spring of 1948. On paper the enamel paint also dried quickly, allowing de Kooning to build up wafer-thin layers of experimental forms without worry that they would blend together. The restricted palette of black and white allowed de Kooning to experiment with a loose, Cubist-style abstraction, but remnants of the human figure remain underneath the swirls of paint.


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