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The painting dispensed with typically “beautiful” colors in favor of more disquieting hues to create unsettling impressions. In 1948 Visceral smears of brown, mustard, and crimson impasto seem to spread beyond the canvas. The painting’s soaring scale and the energy of the roughly painted crags suggest the boundlessness the artist revered.

Clyfford Still was an American painter associated with both the Abstract Expressionist and Color Field movements. He is best known for his paintings that resemble flame-like crevices or shapes. Inspired by the windswept landscape of the Canadian prairie, he developed a technique of applying thick layers of paint onto the canvas using a palette knife, creating jagged flares of dark tones against lighter areas of yellows, oranges, and reds.

1948 - Clyfford Still - Abstract Expressionist Painting

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1948 - Clyfford Still - Abstract Expressionist Painting Art Print
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1948 - Clyfford Still - Abstract Expressionist Painting Art Print
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1948 - Clyfford Still - Abstract Expressionist Painting Art Print
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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Rolled • 11x12 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Rolled • 17x18 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Rolled • 22x24 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Rolled • 28x30 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Wrapped • 11x12 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Wrapped • 17x18 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Wrapped • 22x24 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Print
Wrapped • 28x30 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Framed Print
Framed • 11x12 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Framed Print
Framed • 17x18 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Framed Print
Framed • 22x24 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Canvas Framed Print
Framed • 28x30 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Framed Print
Framed With Mat • 11x12 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Framed Print
Framed With Mat • 17x18 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Framed Print
Framed With Mat • 22x24 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Framed Print
Framed With Mat • 28x30 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Poster
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1948 - Clyfford Still - Abstract Expressionist Painting Poster
Framed • 24x30 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Canvas Print
Rolled • 33x36 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Canvas Print
Rolled • 36x39 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Canvas Print
Wrapped • 33x36 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Canvas Print
Wrapped • 36x39 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Framed Print
Framed With Mat • 33x36 inches

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1948 - Clyfford Still - Abstract Expressionist Painting Large Framed Print
Framed With Mat • 36x39 inches

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The painting dispensed with typically “beautiful” colors in favor of more disquieting hues to create unsettling impressions. In 1948 Visceral smears of brown, mustard, and crimson impasto seem to spread beyond the canvas. The painting’s soaring scale and the energy of the roughly painted crags suggest the boundlessness the artist revered.Clyfford Still was an American painter associated with both the Abstract Expressionist and Color Field movements. He is best known for his paintings that resemble flame-like crevices or shapes. Inspired by the windswept landscape of the Canadian prairie, he developed a technique of applying thick layers of paint onto the canvas using a palette knife, creating jagged flares of dark tones against lighter areas of yellows, oranges, and reds.

Clyfford Still (1904 - 1980) was an American painter associated with both the Abstract Expressionist and Color Field movements. Clyfford is best known for his paintings that often feature craggy shapes; deep, dark hues; haunting, wiry shapes; and vertical “lifelines”. Clyford developed a technique of applying thick layers of paint onto the canvas using a palette knife, creating jagged flares of dark tones against lighter areas.  In 1944, Still moved to New York and began exhibiting alongside abstract painters such as Mark Rothko, Jackson Pollock, and Willem DeKooning. From this period onward, most of the artist’s works were titled with dates and numbers, as in his 1944–N No.2 (1944).

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