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Willem de Kooning began working on Two Women with Still Life in Southampton, New York, where he was staying for the summer. During the previous two years, he was consumed with the creation of a large painting of a woman, Woman I. Although away from his New York City studio, he was likely still grappling with that painting. His expressive use of pastels ran counter to the traditional technique of applying the darkest pigments first, then layering lighter pigments to build forms and create highlights.

Two Women With Still Life, 1952

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Two Women With Still Life, 1952 Poster
Rolled • 12x17 inches

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Small Size

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Two Women With Still Life, 1952 Poster
Framed • 12x17 inches

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Small Size

Two Women With Still Life, 1952 Art Print
Rolled • 11x12 inches

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Two Women With Still Life, 1952 Art Print
Rolled • 16x18 inches

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Small Size

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Two Women With Still Life, 1952 Canvas Print
Rolled • 11x12 inches

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Small Size

Small Size

Two Women With Still Life, 1952 Canvas Framed Print
Framed • 11x12 inches

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BEST SELLER
Small Size

Small Size

Two Women With Still Life, 1952 Canvas Print
Wrapped • 11x12 inches

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Compact Size

Compact Size

Two Women With Still Life, 1952 Canvas Print
Rolled • 16x18 inches

Buy now for

Compact Size

Compact Size

Two Women With Still Life, 1952 Canvas Print
Wrapped • 16x18 inches

Buy now for

Compact Size

Compact Size

Two Women With Still Life, 1952 Canvas Framed Print
Framed • 16x18 inches

Buy now for

Small Size

Small Size

Two Women With Still Life, 1952 Framed Print
Framed with Mat • 11x12 inches

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Compact Size

Compact Size

Two Women With Still Life, 1952 Framed Print
Framed with Mat • 16x18 inches

Buy now for

Willem de Kooning began working on Two Women with Still Life in Southampton, New York, where he was staying for the summer. During the previous two years, he was consumed with the creation of a large painting of a woman, Woman I. Although away from his New York City studio, he was likely still grappling with that painting. His expressive use of pastels ran counter to the traditional technique of applying the darkest pigments first, then layering lighter pigments to build forms and create highlights.


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