{"title":"L S Lowry","description":"\u003cp\u003eLaurence Stephen Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century.\u003c\/p\u003e\u003cbr\u003e\n\u003cp\u003eL. S. Lowry developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\".\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eLowry painted mysterious un-populated landscapes, brooding portraits and the unpublished \"marionette\" works, which were only found after his death.\u003c\/p\u003e","products":[{"product_id":"an-old-street-l-s-lowry","title":"An Old Street - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished \"marionette\" works, which were only found after his death.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786143846459,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/An_Old_Street_-_L_S_Lowry.jpg?v=1569370738"},{"product_id":"father-going-home-l-s-lowry","title":"Father Going Home - L S Lowry","description":"\u003cp\u003eFather Going Home is a humorous, strange, enrapturing, joyful, it feels as ‘natural’ as anything the new breed of ‘street photographers’ of the 1950s and '60s could have come up with. And yet, as always this ‘naturalness’ disguises Lowry’s virtuosity as a painter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn Father Going Home we see all of the subtle tricks with which Lowry infuses his apparent naturalism, quietly distorting the real world to lend it an Expressionist quality not dissimilar to that of Edvard Munch. The man’s body is curved into a deliberate ‘S’; his back heel lifts whilst his front foot twists, almost like a dancer, lending him a swagger that succinctly tells of his mood\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786168815675,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/Father_Going_Home_-_L_S_Lowry.jpg?v=1569370740"},{"product_id":"street-in-clitheroe-l-s-lowry","title":"Street In Clitheroe - L S Lowry","description":"Lowry is best known for painting industrial landscapes of the north of England, influenced by his birthplace of Lancashire. Populated with \"matchstick men\", his paintings forged a totally unique strand of 20th Century European art. Through expressing a very personal response to the world around him, Lowry's pictures burst with life and tell the true tale behind English city life.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786192703547,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_A_Street_In_Clitheroe.jpg?v=1569370740"},{"product_id":"blitzerd-site-l-s-lowry","title":"Blitzed Site - L S Lowry","description":"During the Second World War Lowry worked as a fire-watcher in Manchester, usually stationed on the roof of a city centre department store. He recalled being ‘first down in the morning to sketch the blitzed buildings before the smoke and grime had cleared.’ X-ray examination has shown that this picture is painted over one of Lowry’s art school studies.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786242379835,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Blitzed_Site.jpg?v=1569370741"},{"product_id":"cricket-match-l-s-lowry","title":"Cricket Match - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". 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He depicted young and old, and painted them exactly as they were, with no idealisation. Lowry remained a remote figure in the art world even in his last years despite the acclaim he received in his lifetime.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786304737339,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Figure_Study.jpg?v=1569370746"},{"product_id":"football-match-l-s-lowry","title":"Football Match - L S Lowry","description":"\u003cp\u003eThe artist depicts the excitement of a Saturday afternoon football match, resulting in one of the finest known examples of the combination of the artist's two most popular subjects: the industrial landscape and the working man at play. An extensive panorama presents the onlooker with a cityscape peppered with rooftops; chimneys full of billowing smoke; spires; houses and street scenes with incidental domestic moments, including children at play, and mothers pushing prams, all held in thrall to the compulsion of the crowd who surge to catch the action of the game.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis juxtaposition of the tension of the crowd watching the game, and the slow pace of the individuals who stroll around the multi-layered streets and wastelands beyond, is captured by the artist who towers over the action pulling the viewer over the rooftops and beyond into the drama below.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786329804859,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Football_Match.jpg?v=1569370748"},{"product_id":"good-friday-daisy-nook-l-s-lowry","title":"Good Friday Daisy Nook - L S Lowry","description":"\u003cp\u003eFun Fair at Daisy Nook (1953) is a marvellous and life-enhancing record of the world at play - a festival or bank holiday, perhaps, and quite probably the Easter Fair celebrated in a pair of similar paintings from 1946, both entitled Good Friday, Daisy Nook.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDaisy Nook is between Droylsden and Failsworth, near Manchester, and the annual Good Friday fair is still run by the Silcock family, whose name is blazoned over the castellated tent end above the eye-catching word 'Thriller'. This was evidently an advertisement for some kind of Wall-of-Death entertainment. The foreground frieze of people includes balloon and whirligig sellers, kids in pointed hats, dogs, prams: the slice of urban life on holiday that Lowry loved to depict.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786352480315,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Good_Friday_Daisy_Nook.jpg?v=1569370749"},{"product_id":"industrial-landscape-l-s-lowry","title":"Industrial Landscape - L S Lowry","description":"\u003cp\u003eThis picture is typical of the panoramic cityscapes that Lowry painted throughout his career. Although it is an imaginary composition, elements of the view are recognisable as real places. For example, the Stockport Viaduct, which constantly haunted the artist, can be seen in the top left of the picture. But on the whole the image presents a generalised impression of the urban environment, dominated by smoking chimneys, factories, roads, bridges and industrial wasteland.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs if to emphasise the human presence in this overwhelming, blackened city, Lowry focuses in on a small street in the foreground, almost inviting the viewer to join the small group of people going about their business.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786379186235,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Industrial_landscape.jpg?v=1569370750"},{"product_id":"people-standing-about-l-s-lowry","title":"People Standing About - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. 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The empty space is probably a building site, where the rest of the street is waiting to be built, but at the moment it is an improvised football pitch, where the local lads kick a ball around for their own amusement and the enjoyment of a few passers-by.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTo the extreme left, a more professional game takes place in front of more substantial crowds: it is the Saturday afternoon football match, one of Lowry's greatest and most popular subjects. 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Almost theatrical in nature, Lowry’s main characters are arranged in a neat row.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThey appear disconnected, disengaged, exchanging at most a sideways glance. Even those people that appear to share some sort of relationship, such as the couple under the umbrella to the far left, are detached and lack any physical contact. Their faces appear drawn, morose, almost sickly, and their features simplistic, plain caricatures, in true Lowry style.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786481455163,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_The_Bus_Stop.jpg?v=1569370757"},{"product_id":"town-steps-maryport-l-s-lowry","title":"Town Steps Maryport - L S Lowry","description":"A flight of steps ascends the hill on the right. 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The central motif of children standing around a sand dune in which a young girl stands back to showcase a newly-constructed sandcastle, the better to show off her handiwork to an admiring group, recalls the figure groups clustered in July the Seaside.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786539585595,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/Lytham_Pier_-_L_S_Lowry.jpg?v=1569370761"},{"product_id":"procession-in-south-wales-l-s-lowry","title":"Procession In South Wales - L S Lowry","description":"Procession in South Wales, Whit Monday, depicts smartly dressed groups of people walking side by side in an absent landscape, constructed from Lowry’s distinctive off-white colouring that he so often favoured. The picture depicts orderly lines of older men and women, led by a small group of children who are energetically stepping off the right edge of the canvas. For Lowry, this emphasis on the person was considered just as important as the industrial scenes stating, ‘A street … without people … is as dead as mutton’","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786574188603,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/Procession_In_South_Wales_-_L_S_Lowry.jpg?v=1569370761"},{"product_id":"sandsend-near-whitby-l-s-lowry","title":"Sandsend Near Whitby - L S Lowry","description":"In Sandsend near Whitby we see the central themes of industry and work juxtaposed to nature and leisure. The harsh, black geometric construction of the viaduct set against the fluid pastel shapes of the sand and sea is interspersed with the loosely painted figures. 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Renowned for his composite urban constructions and the loose topographical accuracy of his paintings this is probably one of the closest depictions of a specific location in Lowry’s oeuvre.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786681208891,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Church_Street_Clitheroe.jpg?v=1569370772"},{"product_id":"girl-wearing-mini-skirt-l-s-lowry","title":"Girl Wearing Mini Skirt - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". 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Although the title is somewhat neutral, you can see the tension building; the erect stance of the figures, with arms straightened and fists clenched, the down-turned grimacing mouth on the shorted figure as he looks in anger at the taller figure who goads him with an arrogant lazy-eyed face.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786784100411,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/L_S_Lowry_-_Two_Men_Talking.jpg?v=1569370778"},{"product_id":"steps-of-wick-l-s-lowry","title":"Steps Of Wick - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". 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I couldn’t resist doing him as a subject.’ Lowry has added his own initials on the man’s briefcase.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786888466491,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/Man_Lying_On_A_Wall_-_L_S_Lowry.jpg?v=1569370788"},{"product_id":"piccadilly-circus-london-l-s-lowry","title":"Piccadilly Circus London - L S Lowry","description":"Piccadilly Circus, London (1960) is one of Lowry's rare paintings of London. He obviously enjoyed the patterns made by the designs on the advertising billboards, and the brand names and slogans that appear with various degrees of legibility. These passages of the picture are built up for emphasis, the paint deliciously crusted, either in sheer enjoyment of the medium or where he had to work harder to achieve the precision he wanted. But the advertising is curiously muted, though by the time this picture was painted, Piccadilly was a blaze of illumination, if not quite the neon super-buzz of today.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":14786922119227,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/Piccadilly_Circus_London_-_L_S_Lowry.jpg?v=1569370788"},{"product_id":"a-northern-race-meeting-l-s-lowry","title":"A Northern Race Meeting - L S Lowry","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished \"marionette\" works, which were only found after his death.","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":20538975518774,"sku":"","price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/A_Northern_Race_Meeting_-_Lowry.jpg?v=1559802930"},{"product_id":"hulme-place-salford-laurence-stephen-lowry-pencil-drawing","title":"Hulme Place, Salford - Laurence Stephen Lowry - Pencil Drawing","description":"Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as \"matchstick men\". Hulme Place is a Street in the Greater Manchester city of Salford.","brand":"L S Lowry","offers":[{"title":"Default \/ Variant \/ Not for Sale","offer_id":40065649082548,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/HulmePlace_Salford-LaurenceStephenLowry-PencilDrawing_1_1.jpg?v=1624877896"},{"product_id":"lowry-s-family-group-1938","title":"Lowry’s Family Group, 1938","description":"\u003cp\u003eLowry paintings they bought depict day-to-day scenes and family life, and mum and dad lived with them accordingly, hanging them in our family home in pride of place in the living room where we spent the most time together. The third Lowry they bought, The Black Church, was actually a surprise for mum that dad bought for her 50th birthday – by then he knew which particular works by the artist would appeal to her and the ‘Black’ in the title had additional resonance.” Cilla Black’s sons\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686285979828,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/1-LaurenceStephenLowry.jpg?v=1632249803"},{"product_id":"children-on-the-beach","title":"Children On The Beach","description":"\u003cp\u003eThe children on the beach held an endless fascination for Lowry, both as motifs in their own right and as sources for painterly effects. He regarded the problems of capturing the immensity of the sea and the quality of the light falling on its ever-changing surface as one of the major artistic challenges of his life'.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686292467892,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/ChildrenOnTheBeach-LaurenceStephenLowry.jpg?v=1632249895"},{"product_id":"cranes-and-ships-glasgow-docks","title":"Cranes and Ships, Glasgow Docks","description":"\u003cp\u003eThe cranes and ships have an imposing presence but we do not see anyone working on them. The figures are atypically large and appear to be between jobs or engaged in conversation. Cranes and Ships, Glasgow Docks – has been acquired by the city of Glasgow for its forthcoming Riverside Museum, which is being built just across the river from the docks depicted in the painting.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686298366132,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/cranesandshipsglasgowdocks-LaurenceStephenLowry.jpg?v=1632249948"},{"product_id":"girl-with-bows-in-an-interior","title":"Girl with Bows In An Interior","description":"\u003cp\u003eLowry developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as \"matchstick men\". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished \"marionette\" works, which were only found after his death.\u003c\/p\u003e\n\u003cp\u003eShelley Rohde first met Lowry when she was working for the Daily Mail, and with Granada Television she subsequently made the award-winning documentary, L S Lowry: A Private View. She met Lowry on several occasions, publishing her biography on the artist in 1979.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686305706164,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/GirlWithBows-LaurenceStephenLowry.jpg?v=1632250038"},{"product_id":"going-to-the-match","title":"Going to the Match","description":"\u003cp\u003eLowry was the ultimate onlooker, and in his compositions focusing on sporting subjects, it is the crowd that fascinated him above all else. In this phenomenal painting, the figures lean forward in unison, emphasizing their common purpose in being drawn to the rugby posts clearly visible on the left-hand side of the canvas.\u003c\/p\u003e\n\u003cp\u003e“The pre-match sense of energy, excitement and anticipation is palpable and will resonate with any sports lover today, almost 100 years after it was painted.”\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686311440564,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/GoingtotheMatch-LaurenceStephenLowry.jpg?v=1632250130"},{"product_id":"group-of-six-people","title":"Group of Six People","description":"\u003cp\u003eLowry's paintings of people are not just scenes of contemporary life but are heavily imbued with the artist's emotional response to them. Lowry succeeds in holding up a magnifying glass to the uncomfortable reality of the human condition and highlights the inadequacy of so many of life's social interactions. It is this combination of 'portraiture' and psychological statement that lends a timeless resonance to his work and instils so much of his essentially mundane subject matter with an uncommon profundity.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686316421300,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/GroupOf6People-LaurenceStephenLowry.jpg?v=1632250195"},{"product_id":"group-of-figures-1965","title":"Group of Figures 1965","description":"\u003cp\u003eLowry received little public recognition until 1939, when he had his first solo show in London. In 1976, shortly after his death, the Royal Academy displayed his work in a retrospective exhibition that was extremely popular with the general public. Critical opinion remains divided over his stature, but the originality of his artistic vision and the relevance of his social commentary are generally agreed upon. Lowry used a drab palette—the gray buildings are often set against a hazy, white background—but he created powerful and subtle tonal relationships. The naive elements in his style are belied by strong compositions and skillful drawing.\u003c\/p\u003e\n\u003cp\u003eHe developed a unique approach to cityscapes, painting industrial structures such as factories, cotton mills, and stark residential buildings, in front of which crowds of small, sticklike figures go about their everyday activities.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686320189620,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/GroupOfFigures-LaurenceStephenLowry.jpg?v=1632250229"},{"product_id":"portrait-of-ann","title":"Portrait of Ann","description":"\u003cp\u003ePortrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being \"modernist\", explaining that the sitter \"did not want her picture to be realistic; it had to be stylised.\" In common with Lowry's other oil paintings, Ann was executed using ivory black, vermilion, Prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of The Studio as having a \"crudely stylised face\", but it was not without its supporters; Nesta Ellis, writing for the Sphinx art journal, thought the painting \"gave the impression of an impassive yet wilful woman\". Ann was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686324711604,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/PortraitofAnn-LaurenceStephenLowry.jpg?v=1632250320"},{"product_id":"portrait-of-ann-in-red-jumper","title":"Portrait of Ann in Red Jumper","description":"\u003cp\u003ePortrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being \"modernist\", explaining that the sitter \"did not want her picture to be realistic; it had to be stylised.\" In common with Lowry's other oil paintings, Ann was executed using ivory black, vermilion, Prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of The Studio as having a \"crudely stylised face\", but it was not without its supporters; Nesta Ellis, writing for the Sphinx art journal, thought the painting \"gave the impression of an impassive yet wilful woman\". Ann was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686329102516,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/PortraitofAnnInRedJumper-LaurenceStephenLowry.jpg?v=1632250366"},{"product_id":"portrait-of-ann-in-black-jumper","title":"Portrait of Ann in Black Jumper","description":"\u003cp\u003ePortrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being \"modernist\", explaining that the sitter \"did not want her picture to be realistic; it had to be stylised.\" In common with Lowry's other oil paintings, Ann was executed using ivory black, vermilion, Prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of The Studio as having a \"crudely stylised face\", but it was not without its supporters; Nesta Ellis, writing for the Sphinx art journal, thought the painting \"gave the impression of an impassive yet wilful woman\". Ann was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686332051636,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/portrait_of_ann_with_plait_and_black_jumper-LaurenceStephenLowry.jpg?v=1632250403"},{"product_id":"punch-and-judy","title":"Punch and Judy","description":"\u003cp\u003ePunch and Judy is a typical scene by L. S. Lowry from 1943, showing a mass of people from all walks of life going about their daily business. As with many of the artist’s works, this scene is depicted in simple colors. Lowry often claimed to use just five colors in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white.\u003c\/p\u003e\n\u003cp\u003eAs implied by the print’s title, the background of this scene shows crowds of people gathering to watch the traditional British puppet show ‘Punch and Judy’ that features the characters Mr. Punch and his wife Judy. These puppet booths were iconic features of English seaside resorts and working-class leisure time, and so this subject is apt for Lowry in his depiction of working people on their days off in town. The composition is crammed full of people, providing the print with the frenetic energy of city life. Despite the busy, swarm of people that creates a sense of bustle to the image, like many of Lowry’s works there is a solemn and lonely element to this print. The figures, though in close proximity to one another, seem isolated from one another and from the viewer who looks to the bustling crowd from an elevated distance.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686334378164,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/PunchAndJudy-LaurenceStephenLowry.jpg?v=1632250445"},{"product_id":"punch-and-judy-2","title":"Punch and Judy 2","description":"\u003cp\u003ePunch and Judy is a typical scene by L. S. Lowry from 1943, showing a mass of people from all walks of life going about their daily business. As with many of the artist’s works, this scene is depicted in simple colors. Lowry often claimed to use just five colors in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white.\u003c\/p\u003e\n\u003cp\u003eAs implied by the print’s title, the background of this scene shows crowds of people gathering to watch the traditional British puppet show ‘Punch and Judy’ that features the characters Mr. Punch and his wife Judy. These puppet booths were iconic features of English seaside resorts and working-class leisure time, and so this subject is apt for Lowry in his depiction of working people on their days off in town. The composition is crammed full of people, providing the print with the frenetic energy of city life. Despite the busy, swarm of people that creates a sense of bustle to the image, like many of Lowry’s works there is a solemn and lonely element to this print. The figures, though in close proximity to one another, seem isolated from one another and from the viewer who looks to the bustling crowd from an elevated distance.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686343684276,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/PunchAndJudy2-LaurenceStephenLowry.jpg?v=1632250597"},{"product_id":"standing-man","title":"Standing Man","description":"\u003cp\u003eLowry's paintings of people are not just scenes of contemporary life but are heavily imbued with the artist's emotional response to them. Lowry succeeds in holding up a magnifying glass to the uncomfortable reality of the human condition and highlights the inadequacy of so many of life's social interactions. It is this combination of 'portraiture' and psychological statement that lends a timeless resonance to his work and instils so much of his essentially mundane subject matter with an uncommon profundity.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686378451124,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/StandingMan-LaurenceStephenLowry.jpg?v=1632251097"},{"product_id":"town-center","title":"Town Center","description":"\u003cp\u003eTown Centre (1966) utilizes an upright, portrait format, and is like a portrait of a city, any city in the industrial north of England, with its clock tower dominating the scene, its crowds, and in the background, factory chimneys smoking. There are few cars to be seen, and what vehicles there are seem to be lorries rather than private conveyances. Apart from the clock tower, the buildings are relatively low key, not vast and domineering, though one cupola and spire combination emerges among the chimneys. The main element here is the crowd - the busy figures halted in conversation or hurrying to a rendezvous, spilling off the pavements and taking over the open spaces. The atmosphere is not 1966, but more like 1926. Lowry admitted he preferred to paint the past - his own past, in fact. The 1920s was the period he'd been happiest.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686383169716,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/TownCenter-LaurenceStephenLowry.jpg?v=1632251146"},{"product_id":"the-viaduct-store-street-ancoats-1929","title":"The Viaduct, Store Street, Ancoats, 1929","description":"\u003cp\u003eAncoats was hardly a propitious site or subject, yet Lowry was asked not only to draw this dystopia, but also to do so with a local exhibition as his goal. As this essay shows, the works he made in response to that invitation are singularly laconic experiments in urban description. More than this, they redefine “description” in strikingly contextual terms. Already an accomplished draftsman, on this occasion Lowry produced a suite of drawings that paid scrupulous attention to setting down the main characteristics of a singularly ordinary urban place: place, meaning a recognizable location marked by distinct and identifiable features—a definition to which we return. Thanks to the efficiently predictable effects of perspective, the lineaments of his chosen locations are meant to be convincing, without being “interesting” in any familiar pictorial way.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686390673588,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/LaurenceStephenLowry.jpg?v=1632251255"},{"product_id":"group-of-figures-ii","title":"Group of Figures II","description":"\u003cp\u003eLowry's paintings of people are not just scenes of contemporary life but are heavily imbued with the artist's emotional response to them. Lowry succeeds in holding up a magnifying glass to the uncomfortable reality of the human condition and highlights the inadequacy of so many of life's social interactions. It is this combination of 'portraiture' and psychological statement that lends a timeless resonance to his work and instils so much of his essentially mundane subject matter with an uncommon profundity.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686393688244,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/2-LSLowry.jpg?v=1632251320"},{"product_id":"town-center-ii","title":"Town Center II","description":"\u003cp\u003eTown Centre (1966) utilizes an upright, portrait format, and is like a portrait of a city, any city in the industrial north of England, with its clock tower dominating the scene, its crowds, and in the background, factory chimneys smoking. There are few cars to be seen, and what vehicles there are seem to be lorries rather than private conveyances. Apart from the clock tower, the buildings are relatively low key, not vast and domineering, though one cupola and spire combination emerges among the chimneys.\u003c\/p\u003e","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":40686397030580,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/2-LaurenceStephenLowry.jpg?v=1632251386"},{"product_id":"children-playing-old-road-failsworth-laurence-stephen-lowry-ra","title":"Children Playing, Old Road, Failsworth - Laurence Stephen Lowry RA","description":"An abiding memory of Lowry is of sitting in Manchester's Piccadilly Gardens on an early-summer evening and watching the world go by. This was in 1966, and I had written to ask him if he might be prepared to let me drive him around the Manchester area to show me some of the places he had most loved to draw and paint. I was planning an extensive feature on him for one of the Sunday newspapers for which I was then the art critic, to coincide with the artist's forthcoming retrospective in London at the Tate Gallery. Lowry seemed tickled by the idea of being chauffered by a journalist with a tape-recorder, and he wrote back saying he much looked forward to it, warning me that there was nowhere to stay in Mottram where he lived; 'a dreadful place, and I spend a lot of time wondering why I ever came to live in it.' I duly picked him up from Mottram, and he was, as ever, delightful company. It was towards the end of the first day that we abandoned the car and sat in the centre of Manchester in the evening sun, and began people-watching.\n","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":42187667865780,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/ChildrenPlaying_OldRoad_Failsworth-LaurenceStephenLowryRA.jpg?v=1677045993"},{"product_id":"st-lukes-church-old-street-laurence-stephen-lowry-ra","title":"St Lukes Church Old Street - Laurence Stephen Lowry RA","description":"L S Lowry moved to Pendlebury in Salford with his parents in 1909. Where he was to live for nearly 40 years. During this time he attended art classes at Salford School of Art. Subsequently he developing an interest in the urban and industrial landscape. He exhibited with the Manchester Academy of Fine Arts from 1919. As well as entering paintings in the Paris Salon.\nBy the early 1930s he was exhibiting at the Royal Academy in London. He was awarded an honorary MA at Manchester University in 1945. Doctor of Letters in 1961. Elected to the Royal Academy in 1962, and given freedom of the City of Salford in 1965.\n\nHe lived in Mottram until he died in 1976. A death marked by unprecedented homage by the ‘ordinary people’ of Manchester.\nLowry is unquestionably one of the most celebrated British artists and his unique contribution to recording the period. Culture and landscape of industrial Salford and Manchester is without parallel. His work is a most distinctive and comprehensive record of the pre and post World War Two northern industrial town.","brand":"L S Lowry","offers":[{"title":"Default Title","offer_id":42187679596724,"sku":null,"price":0.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/products\/StLukesChurchOldStreet-LaurenceStephenLowryRA.jpg?v=1677046215"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0969\/9128\/collections\/l-s-lowry.png?v=1537010437","url":"https:\/\/www.tallengestore.com\/collections\/l-s-lowry.oembed?page=3","provider":"Tallenge Art Store","version":"1.0","type":"link"}